Dr Mathieu Barthet
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Senior Lecturer in Digital Media
Email: m.barthet@qmul.ac.ukTelephone: +44 20 7882 7518Room Number: Engineering, Eng 111
Teaching
Digital Media and Social Networks (Postgraduate)
Content description: ------- How does the way we feel and express emotional behaviour affect our interaction with technology? What if we could use a ''head nod'' for ''liking'' things on Facebook? Can we create assistive technology to help people suffering from social disorders (e.g., autism)? Affective and Behavioural Computing is a multidisciplinary field of research and practice concerned with these questions, and understanding, recognizing and utilizing human emotions and communicative behaviour in the design of computational systems. ----- The following list aims to clarify the content and provides a representative list of topics: ¿ Overview: affective and behavioural computing; ¿ Theories in psychology, cognitive science and neuroscience: affect, emotion and social signal processing; ¿ Computational models; ¿ Emotion, affect and social signals in Human-Computer Interaction (HCI); ¿ Sensing: vision, audio, bio signals, text; data acquisition and annotation, databases and tools; ¿ Processing: extracting meaningful information and features; ¿ Recognition: applying machine learning techniques; ¿ Programming refresher: Hands-on lecture on programming for affective and behavioural computing using relevant libraries; ¿ Evaluation: automatic analysers, and emotionally and socially intelligent systems; ¿ Affect and social signal expression and generation (virtual characters, robots, etc.); ¿ Affect and social signals for Mobile HCI; ¿ Applications (entertainment technology/gaming/arts; clinical and biomedical studies, e.g., autism, depression, pain; etc.; implicit (multimedia) tagging; affective wearables); ¿ Ethical issues.
Digital Media and Social Networks (Undergraduate)
Introduction to Online Social Networks (OSN) Characteristics of OSNs Basic Graph Theory Small World Phenomenon Information propagation on OSNs Influence and Content Recommendation Sentiment Analysis in Social Media Privacy and ethics
Sound Recording and Production Techniques (Postgraduate/Undergraduate)
The module develops the students' skills and understanding of contemporary audio production techniques. It will give the students a good grounding in the theoretical aspects of audio production, from the functionality of audio interfaces to the signal processing within audio effects, as well as providing practical experience in the use of all audio equipment to which the theory applies. The students will learn the implications of audio digitisation, through which they will gain an understanding of the various means by which digital media is disseminated in the modern age.
Research
Research Interests:
music information retrieval, human computer interaction, music perception, augmented/virtual reality, internet of musical thingsPublications
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Ceriani M, Viola F, Rudan S et al. (2023). Semantic integration of audio content providers through the Audio Commons Ontology. nameOfConference
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Sarmento P, Kumar A, Chen YH et al. (2023). GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. nameOfConference
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Adkins S, Sarmento P, Barthet M (2023). LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature. nameOfConference
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Frachi Y, Takahashi T, Wang F et al. (2022). Design of Emotion-Driven Game Interaction Using Biosignals. nameOfConference
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Graf M, Barthet M (2022). Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. nameOfConference
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Deacon T, Healey P, Barthet M (2022). “It’s cleaner, definitely”: Collaborative Process in Audio Production. nameOfConference
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Löbbers S, Barthet M, Fazekas G (2021). Sketching sounds: an exploratory study on sound-shape associations. International Computer Music Conference
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Yang S, Reed CN, Chew E et al. (2021). Examining Emotion Perception Agreement in Live Music Performance. nameOfConference
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Graf M, Opara HC, Barthet M (2021). An Audio-Driven System for Real-Time Music Visualisation. Audio Engineering Society Convention 150
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Martelloni A, McPherson A, Barthet M (2021). Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. nameOfConference
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Martelloni A, Mcpherson A, Barthet M (publicationYear). Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. New Interfaces for Musical Expression (NIME)
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Turchet L, Barthet M (2019). Haptification of performer's control gestures in live electronic music performance. nameOfConference
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Bruford F, Barthet M, McDonald S et al. (2019). Modelling musical similarity for drum patterns: A perceptual evaluation. nameOfConference
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Stolfi AS, Milo A, Barthet M (2019). Playsound.space: Improvising in the browser with semantic sound objects. nameOfConference
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BROMHAM G, Moffat D, Barthet M et al. (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. Audio Mostly
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Turchet L, Barthet M (2019). An ubiquitous smart guitar system for collaborative musical practice. nameOfConference
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Deacon T, Bryan-Kinns N, Healey PGT et al. (2019). Shaping sounds: The role of gesture in collaborative spatial music composition. nameOfConference
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Xambó A, Font F, Fazekas G et al. (2019). Leveraging Online Audio Commons Content for Media Production. nameOfConference
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Turchet L, Barthet M (2019). Smart Musical Instruments: Key Concepts and Do-It-Yourself Tutorial. nameOfConference
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Turchet L, Barthet M (2018). Jamming with a Smart Mandolin and Freesound-based Accompaniment. nameOfConference
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Turchet L, Viola F, Fazekas G et al. (2018). Towards a Semantic Architecture for the Internet of Musical Things. nameOfConference
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TURCHET L, BARTHET M (2018). Co-design of Musical Haptic Wearables for Electronic Music Performer's Communication. nameOfConference
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Stolfi A, Sokolovskis J, Gorodscy F et al. (2018). Audio semantics: Online chat communication in open band participatory music performances. nameOfConference
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Viola F, Stolfi A, Milo A et al. (2018). Playsound.space: Enhancing a live music performance tool with semantic recommendations. nameOfConference
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Turchet L, Fischione C, Essl G et al. (2018). Internet of Musical Things: Vision and Challenges. nameOfConference
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Pauwels J, Xambó A, Roma G et al. (2018). Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection. 4th Web Audio Conference (WAC)
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Xambó A, Pauwels J, Roma G et al. (2018). Jam with Jamendo: Querying a large music collection by chords from a learner's perspective. nameOfConference
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GODDARD C, BARTHET M, WIGGINS G (2018). Assessing Musical Similarity for Computational Music Creativity. nameOfConference
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Turchet L, McPherson A, Barthet M (2018). Co-design of a smart Cajón. nameOfConference
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SKACH S, XAMBO A, TURCHET L et al. (2018). Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. ACM Conference on Tangible, Embedded, and Embodied Interactions
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Turchet L, McPherson A, Barthet M (2018). Real-time hit classification in a smart cajón. nameOfConference
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Deacon T, Stockman T, Barthet M (2017). User experience in an interactive music virtual reality system: An exploratory study. nameOfConference
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Pigrem J, Barthet M (2017). Datascaping: Data sonification as a narrative device in soundscape composition. nameOfConference
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Goddard C, BARTHET M, Wiggins G (2017). Designing Computationally Creative Musical Performance Systems. Audio Mostly 2017
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Olowe I, Grierson M, Barthet M (2017). FEATUR.UX.AV: A live sound visualization system using multitrack audio. nameOfConference
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Herremans D, Yang S, Chuan CH et al. (2017). IMMA-Emo: A multimodal interface for visualising score- and audio-synchronised emotion annotations. nameOfConference
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Subramaniam A, Barthet M (2017). Mood visualiser: Augmented music visualisation gauging audience arousal. nameOfConference
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Stolfi A, Barthet M, Goródscy F et al. (2017). Open band: A platform for collective sound dialogues. nameOfConference
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Olowe I, Grierson M, Barthet M (2017). User requirements for live sound visualization system using multitrack audio. nameOfConference
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Wu Y, Zhang L, Bryan-Kinns N et al. (2017). Open Symphony: Creative Participation for Audiences of Live Music Performances. nameOfConference
DOI: 10.1109/MMUL.2017.19
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Turchet L, Fischione C, Barthet M (2017). Towards the Internet of Musical Things. nameOfConference
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Zhang L, Wu Y, BARTHET M (2016). A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. International Conference on New Interfaces for Musical Expression
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Hayes K, BARTHET M, Wu Y et al. (2016). A Participatory Live Music Performance with the Open Symphony System. ACM Conference on Human Factors in Computing Systems (CHI): Interactivity
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Barthet M, Fazekas G, Thalmann F et al. (2016). Crossroads: Interactive Music Systems Transforming Performance, Production and Listening. nameOfConference
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Barthet M, Fazekas G, Allik A et al. (2016). From interactive to adaptive mood-based music listening experiences in social or personal context. nameOfConference
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Saari P, Fazekas G, Eerola T et al. (2016). Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. nameOfConference
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Barthet M, Fazekas G, Allik A et al. (2015). Moodplay: an interactive mood-based musical experience. nameOfConference
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Fazekas G, BARTHET M, Sandler MB (2014). Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. nameOfConference
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Weyde T, Cottrell S, Dykes J et al. (2014). Big Data for Musicology. 1st International Digital Libraries for Musicology workshop
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Weyde T, Cottrell S, Benetos E et al. (2014). Digital Music Lab - A Framework for Analysing Big Music Data. European Conference on Data Analysis (ECDA)
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Fazekas G, Barthet M, Sandler M (2014). Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework. nameOfConference
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Kolozali S, Barthet M, Fazekas G et al. (2013). Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. nameOfConference
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Saari P, Barthet M, Fazekas G et al. (2013). Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. nameOfConference
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Fazekas G, Barthet M, Sandler M (2013). The BBC Desktop Jukebox music recommendation system: A large-scale trial with professional users. nameOfConference
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Barthet M, Hargreaves S, Sandler M (2011). Speech/music discrimination in audio podcast using structural segmentation and timbre recognition. nameOfConference
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