Dr Andrew McPherson

Teaching

Music and Audio Programming (Postgraduate/Undergraduate)

This module will introduce a broad class of principles of programming music and audio systems, with a particular focus on real-time digital signal processing on embedded hardware. Students will develop audio projects using the Bela embedded hardware platform, which is based on an ARM Cortex-A series processor, an architecture also commonly found in mobile devices. This is a project-based module, with the overall mark determined by two smaller assignments and one more extensive final project. It is expected that students already understand basic digital signal processing theory and have a moderate familiarity with programming in C, C++ or a similar language.

Research

Research Interests:

I am an electrical engineer and a composer by training, and my research interests lie at the boundaries between music composition and performance, analog and digital hardware design, digital signal processing and human-computer interaction. I am particularly interested in creating new expressive tools for musicians, including electronically-augmented acoustic instruments, novel hardware/software interfaces for live performance, and intuitive mapping strategies between gesture and sound. I'm also interested in quantitative modelling of expressive performance, focusing especially on the link between expressive intent and physical gesture.

Publications

• Pigrem J, McPherson A, Bryan-Kinns N et al. (2022). Sound-> Object-> Gesture: Physical Affordances of Virtual Materials. nameOfConference

  
  

  DOI: 10.1145/3561212.3561230

  
  

  QMRO: qmroHref
• Lepri G, Mcpherson A, Bowers J (2022). Useless, not Worthless: Absurd Making as Critical Practice. ACM conference on Designing Interactive Systems

  
  

  DOI: 10.1145/10.1145/3357236.3395547

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/65145
• Mice L, Mcpherson A (2022). The M in NIME: Motivic analysis and the case for a musicology of NIME performances. International Conference on New Interfaces for Musical Expression

  
  

  DOI: 10.21428/92fbeb44.8c1c9817

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/79128
• Nordmoen C, McPherson AP (2022). Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system. nameOfConference

  
  

  DOI: 10.1145/3532106.3533572

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/81925
• Zheng J, Bryan-Kinns N, McPherson AP (2022). Material Matters: Exploring Materiality in Digital Musical Instruments Design. Designing Interactive Systems Conference

  
  

  DOI: 10.1145/3532106.3533523

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/79293
• Mice L, McPherson AP (2022). Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design. nameOfConference

  
  

  DOI: 10.1145/3491102.3517626

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/79122
• Reed CN, Skach S, Strohmeier P et al. (2022). Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances. nameOfConference

  
  

  DOI: 10.1145/3519391.3519412

  
  

  QMRO: qmroHref
• Robson N, Bryan-Kinns N, Mcpherson A (2022). On mediating space, sound and experience: interviews with situated sound art practitioners. nameOfConference

  
  

  DOI: 10.1017/S1355771822000103

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/72330
• Benito Temprano A, Mcpherson AP (2021). A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar. Audio Mostly 2021 (AM'21). Sonic experiences in the era of the Internet of Sounds

  
  

  DOI: 10.1145/3478384.3478427

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/74325
• Moro G, McPherson AP (2021). Performer experience on a continuous keyboard instrument. nameOfConference

  
  

  DOI: 10.1162/COMJ_a_00565

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/73782
• Mice L, Mcpherson A (2021). Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Reed CN, McPherson AP (2021). Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. nameOfConference

  
  

  DOI: 10.1145/3430524.3440641

  
  

  QMRO: qmroHref
• Mice L, Mcpherson A (2020). From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs. International Conference on New Interfaces for Musical Expression

  
  

  DOI: 10.5281/zenodo.4813200

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/79121
• Moro G, Mcpherson A (2020). A platform for low-latency continuous keyboard sensing and sound generation. International Conference on New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/64180
• Martelloni A, Mcpherson A, Barthet M (publicationYear). Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. New Interfaces for Musical Expression (NIME)

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/66940
• Lepri G, Mcpherson A, Nonnis A et al. (2020). Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIME. New Interfaces for Musical Expression Workshop (NIME '20), Royal Birmingham Conservatoire, Birmingham, UK.

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/71109
• Lepri G, Mcpherson A, Bowers J (2020). Useless, not Worthless: Absurd making as critical practice. nameOfConference

  
  

  DOI: 10.1145/3357236.3395547

  
  

  QMRO: qmroHref
• Mcpherson A, Lepri G (2020). Beholden to Our Tools: Negotiating with Technology while Sketching Digital Instruments. New Interfaces For Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/64887
• McPherson A, Tahlroǧlu K (2020). Idiomatic Patterns and Aesthetic Influence in Computer Music Languages. nameOfConference

  
  

  DOI: 10.1017/S1355771819000463

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/62420
• Mice L, Mcpherson AP (2019). Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. Computer Music Multidisciplinary Research

  
  

  DOI: 10.1007/978-3-030-70210-6_37

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/63240
• Armitage J, McPherson A (2019). Bricolage in a hybrid digital lutherie context. Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound

  
  

  DOI: 10.1145/3356590.3356604

  
  

  QMRO: qmroHref
• Armitage J, Mcpherson A (2019). Bricolage in a hybrid digital lutherie context: a workshop study. Audio Mostly

  
  

  DOI: 10.1145/3356590.3356604

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/59522
• McPherson A (2019). Personal take: Augmenting musical performance. nameOfConference

  
  

  DOI: 10.1017/9781316676639.018

  
  

  QMRO: qmroHref
• Nordmoen C, Armitage J, Morreale F et al. (2019). Making sense of sensors: Discovery through craft practice with an open-ended sensor material. nameOfConference

  
  

  DOI: 10.1145/3322276.3322368

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/57558
• LEPRI G, MCPHERSON A (2019). Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional Prototypes. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/64886
• LEPRI G, MCPHERSON A (2019). Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice. Designing Interactive Systems

  
  

  DOI: 10.1145/3322276.3322353

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/64885
• Harrison J, McPherson AP, Chamberlain A (2019). Accessible instruments in the wild: Engaging with a community of learning-disabled musicians. nameOfConference

  
  

  DOI: 10.1145/3290607.3313037

  
  

  QMRO: qmroHref
• Hazzard A, Greenhalgh C, Kallionpää M et al. (2019). Failing with style: Designing for aesthetic failure in interactive performance. nameOfConference

  
  

  DOI: 10.1145/3290605.3300260

  
  

  QMRO: qmroHref
• Pardue LS, McPherson A (2019). Real-Time Aural and Visual Feedback for Improving Violin Intonation.. nameOfConference

  
  

  DOI: 10.3389/fpsyg.2019.00627

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/57523
• McPherson A, Benford S (2019). Music, Design and Ethnography: An Interview with Steve Benford. nameOfConference

  
  

  DOI: 10.1007/978-3-319-92069-6_13

  
  

  QMRO: qmroHref
• MCPHERSON A, MORREALE F, HARRISON J (2019). Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches. nameOfConference

  
  

  DOI: 10.1007/978-3-319-92069-6_12

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/55134
• Turchet L, McPherson A, Fischione C (2019). Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• McPherson A, Verplank B (2019). The Poetry of Strange Connections: An Interview with Bill Verplank. nameOfConference

  
  

  DOI: 10.1007/978-3-319-92069-6_4

  
  

  QMRO: qmroHref
• Holland S, Mudd T, Wilkie-McKenna K et al. (2019). Understanding Music Interaction, and Why It Matters. nameOfConference

  
  

  DOI: 10.1007/978-3-319-92069-6_1

  
  

  QMRO: qmroHref
• MORREALE F, ARMITAGE J, MCPHERSON A (2018). Effect of Instrument Structure Alterations on Violin Performance. nameOfConference

  
  

  DOI: 10.3389/fpsyg.2018.02436

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/54645
• ZAPPI V, MCPHERSON A (2018). Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction. nameOfConference

  
  

  DOI: 10.3389/fict.2018.00026

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/47925
• JACK RH, MEHRABI A, Stockman T et al. (2018). Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur Musicians. nameOfConference

  
  

  DOI: 10.1525/mp.2018.36.1.109

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/44614
• BUYS K, MCPHERSON A (2018). Real-time bowed string feature extraction for performance applications. Sound and Music Computing

  
  

  DOI: 10.5281/zenodo.1422597

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/56795
• ARMITAGE JDK, MCPHERSON A (2018). Crafting Digital Musical Instruments: An Exploratory Workshop Study. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/42325
• BIN SMA, BRYAN-KINNS N, MCPHERSON AP (2018). Risky business: Disfluency as a design strategy. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/39184
• Turchet L, McPherson A, Barthet M (2018). Co-design of a smart Cajón. nameOfConference

  
  

  DOI: 10.17743/jaes.2018.0007

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/39005
• Pardue LS, McPherson A, Overholt D (2018). Improving the instrumental learning experience through complexity management. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Turchet L, McPherson A, Barthet M (2018). Real-time hit classification in a smart cajón. nameOfConference

  
  

  DOI: 10.3389/fict.2018.00016

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/54064
• MORO G, MCPHERSON A, SANDLER M (2017). Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance. nameOfConference

  
  

  DOI: 10.1121/1.5003796

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/28574
• Bin SMA, Bryan-Kinns N, McPherson A (2017). Hands where we can see them! Investigating the impact of gesture size on audience perception. International Computer Music Conference

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/28483
• BIN SMA, MORREALE F, BRYAN-KINNS N et al. (2017). In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performance. ACM Interact 2017

  
  

  DOI: 10.1007/978-3-319-67744-6_18

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/28343
• HARRISON JTF, McPherson AP (2017). Adapting the Bass Guitar for One-Handed Playing. nameOfConference

  
  

  DOI: 10.1080/09298215.2017.1340485

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/24726
• Jack RH, Stockman T, McPherson A (2017). Rich gesture, reduced control: The influence of constrained mappings on performance technique. nameOfConference

  
  

  DOI: 10.1145/3077981.3078039

  
  

  QMRO: qmroHref
• MCPHERSON A, ARMITAGE JDK, BIN SMA et al. (2017). NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/40023
• Armitage J, Morreale F, McPherson A (2017). "The finer the musician, the smaller the details": NIMEcraft under the microscope. New Instruments for Musical Expression 2017

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/22883
• Morreale F, Moro G, Chamberlain A et al. (2017). Building a Maker Community Around an Open Hardware Platform. ACM SIGCHI Conference on Human Factors in Computing Systems (CHI)

  
  

  DOI: 10.1145/3025453.3026056

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/19132
• MORREALE F, Masu, R, MCPHERSON (2017). Constraining Control in Mixed-Initiative Musical Interfaces. MICI 2017: CHI Workshop on Mixed-Initiative Creative Interfaces

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/25285
• McPherson A (2017). Bela: An embedded platform for low-latency feedback control of sound. nameOfConference

  
  

  DOI: 10.1121/1.4987761

  
  

  QMRO: qmroHref
• Donovan L, McPherson A (2017). Traveling wave control of stringed musical instruments. nameOfConference

  
  

  DOI: 10.1121/1.4987763

  
  

  QMRO: qmroHref
• Jack RH, Stockman T, McPherson A (2017). Maintaining and constraining performer touch in the design of digital musical instruments. nameOfConference

  
  

  DOI: 10.1145/3024969.3025042

  
  

  QMRO: qmroHref
• McPherson A (2017). 2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard. nameOfConference

  
  

  DOI: 10.1007/978-3-319-47214-0_27

  
  

  QMRO: qmroHref
• Liang B, Fazekas G, McPherson A et al. (2017). Piano Pedaller: A Measurement System for Classification and Visualisation of Piano Pedalling Techniques. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/24503
• LIANG B, fazekas G, mcpherson A et al. (2016). Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement System. DMRN+11: Digital Music Research Network One-day Workshop 2016

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/19349
• Jack RH, Stockman T, McPherson A (2016). Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. nameOfConference

  
  

  DOI: 10.1145/2986416.2986428

  
  

  QMRO: qmroHref
• McPherson AP, Jack RH, Moro G (2016). Action-Sound Latency: Are Our Tools Fast Enough?. Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Queensland, Australia, July 11-15, 2016

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/12479
• BIN SMA, MCPHERSON AP, BRYAN-KINNS N (2016). Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/13067
• MORO G, Bin A, Jack RH et al. (2016). Making High-Performance Embedded Instruments with Bela and Pure Data. International Conference on Live Interfaces

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/12653
• MCPHERSON A, Chamberlain A, Hazzard A et al. (2016). Designing for Exploratory Play with a Hackable Digital Musical Instrument. ACM Conference on Designing Interactive Systems

  
  

  DOI: 10.1145/2901790.2901831

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/13068
• Sulyok C, MCPHERSON A, Harte C (2016). Evolving the process of a virtual composer. nameOfConference

  
  

  DOI: 10.1007/s11047-016-9561-6

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/12837
• Holland S, McPherson A, Mackay W et al. (2016). Music and HCI workshop. nameOfConference

  
  

  DOI: 10.1145/2851581.2856479

  
  

  QMRO: qmroHref
• Jack R, Stockman T, McPherson A (2016). Navigation of pitch space on a digital musical instrument with dynamic tactile feedback. nameOfConference

  
  

  DOI: 10.1145/2839462.2839503

  
  

  QMRO: qmroHref
• Heinrichs C, McPherson A (2016). Performance-led design of computationally generated audio for interactive applications. nameOfConference

  
  

  DOI: 10.1145/2839462.2854109

  
  

  QMRO: qmroHref
• Pardue LS, Harte C, MCPHERSON A (2015). A Low-Cost Real-Time Tracking System for Violin. nameOfConference

  
  

  DOI: 10.1080/09298215.2015.1087575

  
  

  QMRO: qmroHref
• Sulyok C, McPherson A, Harte C (2015). Corpus-taught Evolutionary Music Composition. 07/20/2015-07/24/2015

  
  

  DOI: 10.7551/978-0-262-33027-5-ch102

  
  

  QMRO: qmroHref
• McPherson A (2015). Buttons, handles, and keys: Advances in continuous-control keyboard instruments. nameOfConference

  
  

  DOI: 10.1162/COMJ_a_00297

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/10250
• MacRitchie J, MCPHERSON A (2015). Integrating optical finger motion tracking with surface touch events. nameOfConference

  
  

  DOI: 10.3389/fpsyg.2015.00702

  
  

  QMRO: qmroHref
• Donovan L, MCPHERSON A (2015). Active control of a string instrument bridge using the Posicast technique. 138th Audio Engineering Society Convention

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A, Zappi V (2015). An environment for submillisecond-latency audio and sensor processing on BeagleBone Black. 138th Audio Engineering Society Convention

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Moro G, McPherson AP (2015). Approximating non-linear inductors using time-variant linear filters. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/13072
• Zappi V, MCPHERSON A (2015). Exposing the scaffolding of digital instruments with hardware-software feedback loops. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Menzies DWH, MCPHERSON A (2015). Highland piping ornament recognition using Dynamic Time Warping. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Jack RH, MCPHERSON A, Stockman T (2015). The design of tactile musical devices for the deaf. International Conference on the Multimodal Experience of Music

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Reiss JD, McPherson A (2014). Audio Effects: Theory, Implementation and Application. nameOfConference

  
  

  DOI: 10.1201/b17593

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/11476
• Zappi V, MCPHERSON A (2014). Design and use of a hackable digital instrument. International Conference on Live Interfaces

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/7204
• Zappi V, MCPHERSON A (2014). Dimensionality and appropriation in digital musical instrument design. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Heinrichs C, MCPHERSON A, Farnell A (2014). Human Performance of Computational Sound Models for Immersive Environments. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Topliss JW, Zappi V, MCPHERSON A (2014). Latency Performance for Real-Time Audio on BeagleBone Black. Linux Audio Conference

  
  

  DOI: doi

  
  

  QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/7205
• Pardue L, Nian D, Harte C et al. (2014). Low-latency audio pitch tracking: a multi-modal sensor-assisted approach. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Heinrichs C, MCPHERSON A (2014). Mapping and interaction strategies for performing environmental sound. IEEE VR Workshop on Sonic Interaction in Virtual Environments (SIVE)

  
  

  DOI: 10.1109/SIVE.2014.7006286

  
  

  QMRO: qmroHref
• Sokolovskis J, MCPHERSON A (2014). Optical measurement of acoustic drum strike locations. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Gábana Arellano D, MCPHERSON A (2014). Radear: a tangible spinning music sequencer. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A, Donovan L (2014). The talking guitar: headstock tracking and mapping strategies. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Vetter L, Terrell MJ, Simpson AJR et al. (2013). Estimation of overdrive in music signals. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• HEDGES TW, MCPHERSON A (2013). 3D Gestural Interaction with Harmonic Pitch Space. Proceedings of the 10th Sound and Music Computing Conference (SMC)

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MENZIES DWH, MCPHERSON A (2013). A Digital Bagpipe Chanter System to Assist in One-to-One Piping Tuition. Proceedings of the Stockholm Music Acoustics Conference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A, Pardue L (2013). Near-field optical reflectance sensing for violin bow tracking. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• McPherson AP, Kim YE (2013). Piano Technique as a Case Study in Expressive Gestural Interaction. nameOfConference

  
  

  DOI: 10.1007/978-1-4471-2990-5_7

  
  

  QMRO: qmroHref
• MCPHERSON A (2013). Portable measurement and mapping of continuous piano gesture. New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A, Gierakowski A, Stark A (2013). The space between the notes: adding expressive pitch control to the piano keyboard. ACM Conference on Human Factors in Computing Systems (CHI)

  
  

  DOI: 10.1145/2470654.2481302

  
  

  QMRO: qmroHref
• Burdiel E, Vetter L, Simpson AJR et al. (2012). Real-time implementation of glasberg & moore's loudness model for time-varying sounds. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• Heinrichs C, McPherson A (2012). Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. nameOfConference

  
  

  DOI: 10.1109/ISMAR.2012.6402575

  
  

  QMRO: qmroHref
• Heinrichs C, McPherson A (2012). A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling. nameOfConference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A, Kim YE (2012). The problem of the second performer: building a community around an augmented piano. nameOfConference

  
  

  DOI: 10.1162/COMJ-a-00149

  
  

  QMRO: qmroHref
• MCPHERSON A, Kim Y (2011). Design and applications of a multi-touch musical keyboard. 8th Sound and Music Computing Conference

  
  

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  QMRO: qmroHref
• Dolhansky B, MCPHERSON A, Kim Y (2011). Designing an expressive virtual percussion instrument. 8th Sound and Music Computing Conference

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A, Kim Y (2011). Multidimensional gesture sensing at the piano keyboard. ACM CHI Conference on Human Factors in Computing Systems

  
  

  DOI: 10.1145/1978942.1979355

  
  

  QMRO: qmroHref
• MCPHERSON A, Kim Y (2010). Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing. International Conference on New Interfaces for Musical Expression

  
  

  DOI: doi

  
  

  QMRO: qmroHref
• MCPHERSON A (2010). The magnetic resonator piano: electronic augmentation of an acoustic grand piano. nameOfConference

  
  

  DOI: 10.1080/09298211003695587

  
  

  QMRO: qmroHref
• MCPHERSON A, Kim Y (2010). Toward a computationally-enhanced acoustic grand piano. ACM CHI Conference on Human Factors in Computing Systems (Extended Abstracts)

  
  

  DOI: 10.1145/1753846.1754116

  
  

  QMRO: qmroHref