menu

School of Electronic Engineering and Computer Science

People menu

Professor Simon Dixon, AMusA LMusA BSc(Hons) PhD

Simon

Professor of Computer Science

Email: s.e.dixon@qmul.ac.uk
Telephone: +44 20 7882 7681
Room Number: Engineering, Eng E201
Website: http://www.eecs.qmul.ac.uk/~simond/
Office Hours: Tuesday 16:00-17:00, Wednesday 15:00-16:00

Teaching

Artificial Intelligence (Undergraduate)

The module introduces the student to techniques used in Artificial Intelligence including problem formulation, search, logic, probability and decision theory. The module aims to provide the participants with a basic knowledge of artificial intelligence; an understanding of how to design an intelligent agent; and knowledge of basic AI tools.

Artificial Intelligence (Postgraduate)

This module provides an overview of techniques used in Artificial Intelligence including agent modelling, problem formulation, search, logic, probability and machine learning.

Music Analysis and Synthesis (Undergraduate/Postgraduate)

This module is intended to provide students with advanced training in standard and state-of-the-art techniques for music analysis and synthesis. This knowledge is relevant for the music generation, processing, recording, reproduction and distribution industries, with special emphasis on music-oriented on-line services and the development of hardware and software for musicians, musicologists, sound engineers and producers. Background in digital signal processing is essential for the understanding of analysis and synthesis processes on musical signals.

Research

Research Interests:

My research interests are in the fields of music informatics (music information retrieval), computer music, music signal processing, digital audio, artificial intelligence and cognitive science. In recent years I have been working on various problems related to extracting musical content from audio signals, with a focus on rhythm and harmony. For example, I have worked on beat tracking, audio alignment, chord and note transcription, classification and performance visualisation.

Publications

  • PANTELI M, BENETOS E, DIXON S (2018). A review of manual and computational approaches for the study of world music corpora. nameOfConference
  • PANTELI M, BENETOS E, DIXON S (2017). A computational study on outliers in world music. nameOfConference
  • Mohamad Z, Dixon S, Harte C (2017). Pickup position and plucking point estimation on an electric guitar via autocorrelation.. nameOfConference
  • Di Giorgi B, Dixon S, Zanoni M et al. (2017). A data-driven model of tonal chord sequence complexity. nameOfConference
  • WANG S, Ewert SEBASTIAN, Dixon SIMON (2017). Identifying Missing and Extra Notes in Piano Recordings Using Score-Informed Dictionary Learning. nameOfConference
  • NAKAMURA E, Yoshii K, Dixon S (2017). Note Value Recognition for Piano Transcription Using Markov Random Fields. nameOfConference
  • Quinton E, Dixon S, Sandler M et al. (2017). TRACKING METRICAL STRUCTURE CHANGES WITH SPARSE-NMF. 2017 IEEE International Conference on Acoustics, Speech and Signal Processing
  • Panteli M, Bittner R, Bello JP et al. (2017). Towards the characterization of singing styles in world music. IEEE International Conference on Acoustics, Speech and Signal Processing
  • Mehrabi A, Harte C, Baume C et al. (2017). Music thumbnailing for radio podcasts: A listener evaluation. nameOfConference
  • MEHRABI A, Dixon S, Sandler (2017). Vocal imitation of synthesised sounds varying in pitch, loudness and spectral centroid. nameOfConference
  • SANDLER MB, quinton E, o'hanlon K et al. (2016). Automatic Detection of Metrical Structure Changes. DMRN+11: Digital Music Research Network One-day Workshop 2016
  • MISHRA S, Sturm B, Dixon S (2016). Explaining Predictions of Machine Listening Systems. DMRN+11: Digital Music Research Network One-day Workshop 2016
  • Wang S, Ewert S, Dixon S (2016). Robust and efficient joint alignment of multiple musical performances. nameOfConference
  • MEHRABI A, Dixon S, Sandler M (2016). Towards a comprehensive dataset of vocal imitations of drum sounds. 2nd AES Workshop on Intelligent Music Production
  • Cheng T, Mauch M, Benetos E et al. (2016). An attack/decay model for piano transcription. 17th International Society for Music Information Retrieval Conference
  • Panteli M, Benetos E, Dixon S (2016). Learning a feature space for similarity in world music. 17th International Society for Music Information Retrieval Conference
  • Panteli M, Benetos E, Dixon S (2016). Automatic detection of outliers in world music collections. Fourth International Conference on Analytical Approaches to World Music (AAWM 2016)
  • Sigtia S, Benetos E, Dixon S (2016). An End-to-End Neural Network for Polyphonic Piano Music Transcription. nameOfConference
  • QUINTON E, Sandler M, Dixon S (2016). ESTIMATION OF THE RELIABILITY OF MULTIPLE RHYTHM FEATURES EXTRACTION FROM A SINGLE DESCRIPTOR. nameOfConference
  • Song Y, Dixon S, Pearce MT et al. (2016). Perceived and Induced Emotion Responses to Popular Music: Categorical and Dimensional Models. nameOfConference
  • Cheng T, Dixon S, Mauch M (2015). Improving piano note tracking by HMM smoothing. nameOfConference
  • MOHAMAD Z, Dixon S, Harte C (2015). Digitally Moving an Electric Guitar Pickup. International Conference on Digital Audio Effects (DAFx-15)
  • MEHRABI A, Dixon S, Sandler M (2015). VOCAL IMITATION OF PITCH, SPECTRAL SHAPE AND LOUDNESS ENVELOPES. International Society for Music Information Retrieval Conference
  • Foster P, Dixon S, Klapuri A (2015). Identifying Cover Songs Using Information-Theoretic Measures of Similarity. nameOfConference
  • Sigtia S, Benetos E, Boulanger-Lewandowski N et al. (2015). A Hybrid Recurrent Neural Network for Music Transcription. 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)
  • Tubb R, Dixon S (2015). An Evaluation of Multidimensional Controllers for Sound Design Tasks. nameOfConference
  • Dai J, Mauch M, Dixon S (2015). Analysis of Intonation Trajectories in Solo Singing. nameOfConference
  • Sigtia S, Boulanger-Lewandowski N, Dixon S (2015). Audio Chord Recognition with a Hybrid Recurrent Neural Network. nameOfConference
  • Wilmering T, Fazekas G, Dixon S et al. (2015). Automating Annotation of Media with Linked Data Workflows. nameOfConference
  • Osmalskyj J, Foster P, Dixon S et al. (2015). Combining Features for Cover Song Identification. nameOfConference
  • Wang S, Ewert S, Dixon S (2015). Compensating for Asynchronies between Musical Voices in Score-Performance Alignment. nameOfConference
  • Mauch M, Cannam C, Bittner R et al. (2015). Computer-aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency. nameOfConference
  • Song Y, Dixon S (2015). How Well Can a Music Emotion Recognition System Predict the Emotional Responses of Participants?. nameOfConference
  • Cheng T, Dixon S, Mauch M (2015). Modelling the Decay of Piano Sounds. IEEE International Conference on Acoustics Speech and Signal Processing
  • Tidhar D, Dixon S, Benetos E et al. (2014). The temperament police. nameOfConference
  • Weyde T, Cottrell S, Dykes J et al. (2014). Big Data for Musicology. 1st International Digital Libraries for Musicology workshop
  • Mauch M, Frieler K, Dixon S (2014). Intonation in unaccompanied singing: accuracy, drift, and a model of reference pitch memory.. nameOfConference
  • Cheng T, Dixon S, Mauch M (2014). A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. nameOfConference
  • Tubb R, Dixon S (2014). A Four Strategy Model of Creative Parameter Space Interaction. nameOfConference
  • Tubb R, Dixon S (2014). A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves. nameOfConference
  • Weyde T, Cottrell S, Benetos E et al. (2014). Digital Music Lab - A Framework for Analysing Big Music Data. European Conference on Data Analysis (ECDA)
  • Thompson L, Mauch M, Dixon S (2014). Drum Transcription via Classification of Bar-level Rhythmic Patterns. 15th International Society for Music Information Retrieval Conference
  • Sigtia S, Dixon S (2014). Improved music feature learning with deep neural networks. nameOfConference
  • Stowell D, Dixon S (2014). Integration of informal music technologies in secondary school music lessons. nameOfConference
  • Sigtia S, Benetos E, Cherla S et al. (2014). RNN-based Music Language Models for Improving Automatic Music Transcription. nameOfConference
  • Wang S, Ewert S, Dixon S (2014). Robust Joint Alignment of Multiple Versions of a Piece of Music. nameOfConference
  • Foster P, Mauch M, Dixon S (2014). Sequential Complexity as a Descriptor for Musical Similarity. nameOfConference
  • BARTHET M, Benetos E, Cottrell S et al. (2014). The DML Research Project: Digital Music Lab - Analysing Big Music Data. Workshop on "Big Data: Challenges and Applications", Imperial College, London
  • Tubb R, Dixon S (2014). The Divergent Interface: Supporting Creative Exploration of Parameter Spaces. nameOfConference
  • Weiss C, Mauch M, Dixon S (2014). Timbre-invariant Audio Features for Style Analysis of Classical Music. nameOfConference
  • Kirchhoff H, Badeau R, Dixon S (2014). Towards complex matrix decomposition of spectrograms based on the relative phase offsets of harmonic sounds. nameOfConference
  • Mauch M, Dixon S (2014). pYIN: a Fundamental Frequency Estimator Using Probabilistic Threshold Distributions. nameOfConference
  • Benetos E, Dixon S, Giannoulis D et al. (2013). Automatic music transcription: Challenges and future directions. nameOfConference
  • Foster P, Dixon S, Klapuri A (2013). Identification of cover songs using information theoretic measures of similarity. nameOfConference
  • Kirchhoff H, Dixon S, Klapuri A (2013). Missing template estimation for user-assisted music transcription. nameOfConference
  • Serra X, Magas M, Benetos E et al. (2013). Roadmap for Music Information ReSearch. nameOfConference
  • Chudy M, Pe¿rez Carrillo A, Dixon S (2013). On the relation between gesture, tone production, and perception in classical cello performance.. nameOfConference
  • Benetos E, Dixon S (2013). Multiple-instrument polyphonic music transcription using a temporally constrained shift-invariant model. nameOfConference
  • Allik A, Fazekas G, Dixon S et al. (2013). A Shared Vocabulary for Audio Features. nameOfConference
  • Allik A, Fazekas G, Dixon S et al. (2013). Facilitating Music Information Research with Shared Open Vocabularies. nameOfConference
  • Kirchhoff H, Dixon S, Klapuri A (2012). Multi-template shift-variant non-negative matrix deconvolution for semi-automatic music transcription. nameOfConference
  • Tubb R, Klapuri A, Dixon S (2012). Thewablet: Scanned synthesis on a multi-touch interface. nameOfConference
  • BENETOS E, Dixon S, Giannoulis D et al. (2012). Automatic Music Transcription: Breaking the Glass Ceiling. 13th International Society for Music Information Retrieval Conference (ISMIR 2012)
  • Benetos E, Dixon S (2012). Temporally-constrained convolutive probabilistic latent component analysis for multi-pitch detection. nameOfConference
  • Foster P, Klapuri A, Dixon S (2012). A Method for Identifying Repetition Structure in Musical Audio Based on Time Series Prediction. 20th European Signal Processing Conference
  • Benetos E, Dixon S (2012). A Shift-Invariant Latent Variable Model for Automatic Music Transcription. nameOfConference
  • Arzt A, Widmer G, Dixon S (2012). ADAPTIVE DISTANCE NORMALIZATION FOR REAL-TIME MUSIC TRACKING. nameOfConference
  • Benetos E, Lagrange M, Dixon S (2012). Characterisation of acoustic scenes using a temporally-constrained shift-invariant model. nameOfConference
  • Dixon S, Mauch M, Tidhar D (2012). Estimation of harpsichord inharmonicity and temperament from musical recordings.. nameOfConference
  • Song Y, Dixon S, Pearce M (2012). Evaluation of musical features for emotion classification. nameOfConference
  • Ganseman J, Scheunders P, Dixon S (2012). IMPROVING PLCA-BASED SCORE-INFORMED SOURCE SEPARATION WITH INVERTIBLE CONSTANT-Q TRANSFORMS. nameOfConference
  • Terrell MJ, Fazekas G, Simpson AJR et al. (2012). Listening level changes music similarity. nameOfConference
  • Benetos E, Klapuri A, Dixon S (2012). SCORE-INFORMED TRANSCRIPTION FOR AUTOMATIC PIANO TUTORING. nameOfConference
  • Kirchhoff H, Dixon S, Klapuri A (2012). Shift-variant non-negative matrix deconvolution for music transcription. IEEE International Conference on Acoustics, Speech, and Signal Processing
  • Benetos E, Dixon S (2011). Joint multi-pitch detection using harmonic envelope estimation for polyphonic music transcription. nameOfConference
  • Mearns L, Benetos E, Dixon S (2011). Automatically detecting key modulations in J.S. Bach chorale recordings. nameOfConference
  • Benetos E, Dixon S (2011). Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. 8th Sound and Music Computing Conference
  • Benetos E, Dixon S, IEEE (2011). A TEMPORALLY-CONSTRAINED CONVOLUTIVE PROBABILISTIC MODEL FOR PITCH DETECTION. nameOfConference
  • Stowell D, Dixon S (2011). MIR in school? Lessons from ethnographic observation of secondary school music classes. ISMIR 2011
  • Stowell D, Barthet M, Dixon S et al. (2011). Musicology for the masses: Situating new audio technologies for musicology and music education. Digital Engagement 2011
  • Benetos E, Dixon S (2011). Polyphonic music transcription using note onset and offset detection. nameOfConference
  • Dixon S, Mauch M, Anglade A (2011). Probabilistic and Logic-Based Modelling of Harmony. nameOfConference
  • Macrae R, Neumann J, Anguera X et al. (2011). Real-Time Synchronisation of Multimedia Streams in a Mobile Device. nameOfConference
  • Tidhar D, Fazekas G, Mauch M et al. (2011). Tempest - harpsichord temperament estimation in a Semantic Web environment. nameOfConference
  • Dixon S, Tidhar D, Benetos E (2011). The temperament police: The truth, the ground truth, and nothing but the truth. 12th International Society for Music Information Retrieval Conference
  • Benetos E, Dixon S (2010). Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution. nameOfConference
  • Macrae R, Dixon S (2010). A Guitar Tablature Score Follower. IEEE International Conference on Multimedia & Expo
  • Macrae R, Dixon S (2010). Accurate Real-Time Windowed Time Warping. International Society for Music Information Retrieval conference
  • Mauch M, Dixon S (2010). Approximate Note Transcription for the Improved Identification of Difficult Chords. 11th International Society for Music Information Retrieval Conference
  • Mearns L, Dixon S (2010). Characterisation of Composer Style Using High Level Musical Features. nameOfConference
  • Mearns L, Dixon S (2010). Characterisation of Composer Style using High-Level Musical Features. 11th International Society for Music Information Retrieval
  • Dixon S (2010). Computational Modelling of Harmony. International Symposium on Computer Music Modeling and Retrieval
  • Tidhar D, Mauch M, Dixon S (2010). High Precision Frequency Estimation for Harpsichord Tuning Classification. Acoustics Speech and Signal Processing (ICASSP), 2010 IEEE International Conference on
  • Mearns L, Dixon S (2010). How Do You Characterise Musical Style?. nameOfConference
  • Anglade A, Benetos E, Mauch M et al. (2010). Improving music genre classification using automatically induced harmony rules. nameOfConference
  • Jacobson K, Dixon S, Sandler M (2010). LinkedBrainz: Providing the MusicBrainz Next Generation Schema as Linked Data. nameOfConference
  • Benetos E, Dixon S (2010). Multiple-F0 Estimation of Piano Sounds Using a Constant-Q Filterbank. ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition
  • Mauch M, Dixon S (2010). Simultaneous Estimation of Chords and Musical Context from Audio. nameOfConference
  • Tidhar D, Fazekas G, Mauch M et al. (2010). Temperament Estimation as an MIR task. nameOfConference
  • Chudy M, Dixon S (2010). Towards Music Performer Recognition Using Timbre Features. nameOfConference
  • Dixon S, Sandler M, d'Inverno M et al. (2010). Towards a Distributed Research Environment for Music Informatics and Computational Musicology. nameOfConference
  • Anglade A, Dixon S (2009). First-Order Logic Classification Models of Musical Genres Based on Harmony. nameOfConference
  • Anglade A, Ramirez R, Dixon S (2009). Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. International Conference on Music Information Retrieval
  • Mauch M, Cannam C, Davies M et al. (2009). OMRAS-2 Metadata Project 2009. 10th International Society for Music Information Retrieval Conference (ISMIR2009), Late-breaking session
  • Mauch M, Noland K, Dixon S (2009). Using Musical Structure to Enhance Automatic Chord Transcription. International Society for Music Information Retrieval
  • Goebl W, DIXON SE, DePoli G et al. (2008). 'Sense' in Expressive Music Performance: Data Acquisition, Computational Studies and Models. nameOfConference
  • Mauch M, Dixon S (2008). A Discrete Mixture Model for Chord Labelling. International Conference on Music Information Retrieval
  • Mauch M, Müllensiefen D, Dixon S et al. (2008). Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. nameOfConference
  • Arzt A, Widmer G, Dixon S (2008). Automatic Page Turning for Musicians via Real-Time Machine Listening. European Conference on Artificial Intelligence
  • Mauch M, Müllensiefen D, Dixon S et al. (2008). Can Statistical Language Models be used for the Analysis of Harmonic Progressions?. International Conference on Music Perception and Cognition
  • Anglade A, Dixon S (2008). Characterisation of Harmony with Inductive Logic Programming. International Conference on Music Information Retrieval
  • Widmer G, DIXON SE, Knees P et al. (2008). From Sound to 'Sense' via Feature Extraction and Machine Learning: Deriving High-Level Descriptors for Characterising Music. nameOfConference
  • Macrae R, Dixon S (2008). From Toy to Tutor: Note-Scroller is a Game to Teach Music. nameOfConference
  • Anglade A, Dixon S (2008). Towards Logic-based Representations of Musical Harmony for Classification, Retrieval and Knowledge Discovery. International Workshop on Machine Learning and Music
  • Mauch M, Dixon S, Harte C et al. (2007). Discovering Chord Idioms Through Beatles and Real Book Songs. nameOfConference
  • Gouyon F, Dixon S, Widmer G (2007). Evaluating low-level features for beat classification and tracking. nameOfConference
  • DIXON SE (2007). Evaluation of the Audio Beat Tracking System BeatRoot. nameOfConference
  • DIXON SE (2007). Extraction of Musical Timing from Audio Recordings. CHARM 4 Symposium on Methods for Analysing Recordings 2007 [Invited]
  • DIXON SE, Bainbridge D, Typke R (2007). Proceedings of the 8th International Conference on Music Information Retrieval (ISMIR07). nameOfConference
  • DIXON SE (2007). Tools for Analysis of Musical Expression. 19th International Congress on Acoustics, 2007 [Invited]
  • Gouyon F, Klapuri A, Dixon S et al. (2006). An experimental comparison of audio tempo induction algorithms. nameOfConference
  • Dixon S, Goebl W, Cambouropoulos E (2006). Perceptual smoothness of tempo in expressively performed music. nameOfConference
  • DIXON SE (2006). Onset Detection Revisited. Proceedings of the 9th International Conference on Digital Audio Effects, Montreal, Canada
  • Flexer A, Gouyon F, DIXON SE et al. (2006). Probabilistic Combination of Features for Music Classification. Proceedings of the 7th International Conference on Music Information Retrieval (ISMIR 2006), Victoria, BC
  • DIXON SE, Widmer G (2005). MATCH: A Music Alignment Tool Chest. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR 2005), London [Best Poster Award]
  • DIXON SE (2005). An On-Line Time Warping Algorithm for Tracking Musical Performances. Proceedings of the Nineteenth International Joint Conference on Artificial Intelligence (IJCAI-05)
  • Gouyon F, Dixon S (2005). A review of automatic rhythm description systems. nameOfConference
  • DIXON SE (2005). Audio Analysis Applications for Music. nameOfConference
  • DIXON SE (2005). Live Tracking of Musical Performanes using On-Line Time Warping. Proceedings of the 8th Internaitonal Conference on Digital Audio Effects (DAFx05), Madrid, Spain
  • DIXON SE, Goebl W, Widmer G (2005). The 'Air Worm': An Interface for Real-Time Manipulation of Expressive Music Performance. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain
  • Widmer G, DIXON SE, Flexer A et al. (2005). The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI), Vienna. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain
  • Gouyon F, DIXON SE (2004). Rhythm Classification: A Tempo-Based Approach. Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain
  • DIXON SE, Gouyon F, Widmer G (2004). Towards Characterisation of Music via Rythmic Patterns. Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain
  • Gouyon F, Wack N, DIXON SE (2004). An Open Source Tool for Semi-Automatic Rhythmic Annotation. Proceedings of the 7th International Conference on Digital Audio Effects (DAFx'04), Naples, Italy
  • DIXON SE (2004). Analysis of Musical Content in Digital Audio. nameOfConference
  • Gouyon F, DIXON SE, Pampalk E et al. (2004). Evaluating Rhythmic Descriptors for Musical Genre Classifcation. Proceedings of the AES 25th International Conference, Audio Engineering Scoiety, London
  • Pampalk E, Dixon S, Widmer G (2004). Exploring music collections by browsing different views. nameOfConference
  • DIXON SE (2003). Tempo Induction, Beat Tracking and Rhythm-Based Music Classification. Institute for Operations Research and Management Science (INFORMS) Conference 19-22 October 2003, Atlanta, Georgia, USA [Invited]
  • DIXON SE, Pampalk E, Widmer G (2003). Classification of Dance Music by Periodicity Patterns. Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA
  • Pampalk E, DIXON SE, Widmer G (2003). Exploring Music Collections by Browsing Different Views. Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA
  • Widmer G, Dixon S, Goebl W et al. (2003). In search of the Horowitz factor. nameOfConference
  • Dixon S (2003). On the analysis of musical expression in audio signals. nameOfConference
  • Pampalk E, Dixon S, Widmer G (2003). On the evaluation of perceptual similarity measures for music. nameOfConference
  • DIXON SE (2003). Towards Automatic Analysis of Expressive Performance. Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM5), Hanover, Germany
  • DIXON SE, Goebl W (2002). Pinpointing the Beat: Tapping to Expressive Preformances. Proceedings of the 7th International Conference on Music Perception and Cognition (ICMPC7), Sydney, Causal Production, Adelaide
  • DIXON SE, Goebl W, Widmer G (2002). Real-time Tracking and Visualisation of Musical Expression. Proceedings of the 2nd International Conference on Music and Artifical Intelligence (ICMAI'02), Edinburgh, Scotland, Springer, Berlin
  • DIXON SE, Goebl W, Widmer G (2002). The Performance Worm: Real Time Visualisation of Expression Based on Langer's Tempo-Loudness Animation. Proceedings of the 2002 International Computer Music Conference (ICMC'2002), Gothenburg, Sweden, edited by M Nordahl (International Computer Music Association, San Fransisco)
  • Goebl W, DIXON SE (2001). Analysis of Tempo Classes in Performances of Mozart Sonatas. Proceedings of the 7th International Syymposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology, Jyvaeskylae, Finland, 16-19 August 2001
  • Cambouropoulos E, DIXON SE, Goebl W et al. (2001). Human Preferences for Tempo Smoothness. Proceedings of the 7th International Symposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology
  • Dixon S (2001). Automatic extraction of tempo and beat from expressive performances. nameOfConference
  • DIXON SE (2001). An Empirical Comparison of Tempo Trackers. 8th Brazilian Symposium on Computer Music, 21st Congress of the Brazilian Computer Society, 2001
  • DIXON SE (2001). An Interactive Beat Tracking and Visualisation System. Proceedings of the International Computer Music Conference (ICMC'2001), La Habana, Cuba, edited by A. Schloss and R. Dannenberg, (International Computer Music Association, San Fransisco), 2001
  • DIXON SE, Goebl W, Cambouropoulos E (2001). Beat Extraction from Expressive Musical Performances. 2001 Meeting of the Society for Music Perception and Cognition (SMPC2001), Kingston, Ontario, Canada
  • Widmer G, DIXON SE, Goebl W et al. (2001). Empirical Music Performance Research: OeFAI's Position. MOSART Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain
  • DIXON SE (2001). Learning to Detect Onsets of Acoustic Piano Tones. MOSART Workshop on Current Research Directions in Computer Music, edited by C L Buyoli and R Loureiro, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain
  • Dixon S, Cambouropoulos E (2000). Beat tracking with musical knowledge. nameOfConference
Return to top