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Professor Geraint Wiggins

Geraint

Professor of Computational Creativity

Email: geraint.wiggins@qmul.ac.uk
Telephone: +44 20 7882 5827
Room Number: Peter Landin, CS 414
Office Hours: Monday 16:30-18:00

Research

Research Interests:

Computational Creativity
Music Cognition
Computational Musicology
Language Processing 

Publications

  • Wiggins GA, Sanjekdar A (publicationYear). Learning and Consolidation as Re-representation: Revising the Meaning of Memory. nameOfConference
  • Droog-Hayes M, Wiggins GA, Purver M (2019). Detecting Summary-Worthy Sentences: The Effect of Discourse Features. nameOfConference
  • Xiao P, Toivonen H, Gross O et al. (2019). Conceptual representations for computational concept creation. nameOfConference
  • DROOG-HAYES M, WIGGINS GA, PURVER MRJ (2019). Detecting Summary-worthy Sentences: the Effect of Discourse Features. 13th IEEE International Conference on Semantic Computing
  • McGregor S, Agres K, Rataj K et al. (2019). Re-Representing Metaphor: Modeling Metaphor Perception Using Dynamically Contextual Distributional Semantics.. nameOfConference
  • Wiggins GA (2019). To play with feeling? the opportunity of aesthetics in computational musical creativity. AAAI Spring Symposium "Towards Conscious AI Systems"
  • Cong F, Liu S, Guo L et al. (2018). A Parallel Fusion Approach to Piano Music Transcription Based on Convolutional Neural Network. nameOfConference
  • Pollak S, Wiggins GA, Žnidarši¿ M et al. (2018). Computational creativity in Slovenia. nameOfConference
  • WIGGINS GA (2018). Creativity, Information, and Consciousness: the information dynamics of thinking. nameOfConference
  • GODDARD C, BARTHET M, WIGGINS G (2018). Assessing Musical Similarity for Computational Music Creativity. nameOfConference
  • Wolf OO, Wiggins G (2018). Look! It's moving! Is it alive? How movement affects humans' affinity to living and non-living entities. nameOfConference
  • Freeman J, Wiggins G, Starks G et al. (2018). A concise taxonomy for describing data as an art material. nameOfConference
  • Droog-Hayes M, Wiggins G, Purver M (2018). Automatic detection of narrative structure for high-level story representation. nameOfConference
  • Wiggins G, Forth J (2018). Computational creativity and live algorithms. nameOfConference
  • Alvarado J, Wiggins GA (2018). Understanding Mexica: An analysis of an engagement-reflection system. nameOfConference
  • Goddard C, BARTHET M, Wiggins G (2017). Designing Computationally Creative Musical Performance Systems. Audio Mostly 2017
  • van der Velde F, Forth J, Nazareth D et al. (2017). Linking Neural and Symbolic Representation and Processing of Conceptual Structures. nameOfConference
  • Cameron D, Potter K, Wiggins G et al. (2017). Perception of Rhythmic Similarity is Asymmetrical, and Is Influenced by Musical Training, Expressive Performance, and Musical Context. nameOfConference
  • McGregor S, Jezek E, Purver M et al. (2017). A Geometric Method for Detecting Semantic Coercion.. nameOfConference
  • Agres K, Forth J, Wiggins GA (2016). Evaluation of musical creativity and musical metacreation systems. nameOfConference
  • FORTH J, AGRES K, PURVER MRJ et al. (2016). Entraining IDyOT: timing in the information dynamics of thinking. nameOfConference
  • Smith D, TOKARCHUK LN, Wiggins G (2016). Rapid Phenotypic Landscape Exploration through Hierarchical Spatial Partitioning. 14th International Conference on Parallel Problem Solving from Nature
  • McGregor S, Purver M, Wiggins G (2016). Words, concepts, and the geometry of analogy. Workshop on Semantic Spaces at the Intersection of NLP, Physics and Cognitive Science
  • Pontis S, Kefalidou G, Blandford A et al. (2016). Academics' responses to encountered information: Context matters. nameOfConference
  • Smith D, Tokarchuk L, Wiggins G (2016). Exploring conflicting objectives with MADNS: Multiple assessment directed novelty search. nameOfConference
  • Smith D, Tokarchuk L, Wiggins G (2016). Harnessing phenotypic diversity towards multiple independent objectives. nameOfConference
  • HEDGES TW, Wiggins GA (2016). The prediction of merged attributes with multiple viewpoint systems. nameOfConference
  • Gingras B, Pearce MT, Goodchild M et al. (2016). Linking melodic expectation to expressive performance timing and perceived musical tension.. nameOfConference
  • Thalmann F, Fazekas G, Wiggins GA et al. (2016). Creating, Visualizing, and Analyzing Dynamic Music Objects in the Browser with the Dymo Designer. nameOfConference
  • Barthet M, Fazekas G, Thalmann F et al. (2016). Crossroads: Interactive Music Systems Transforming Performance, Production and Listening. nameOfConference
  • Agres KR, McGregor S, Rataj K et al. (2016). Modeling metaphor perception with distributional semantics vector space models. nameOfConference
  • McGregor S, Purver M, Wiggins GA (2016). Process Based Evaluation of Computer Generated Poetry.. nameOfConference
  • Thalmann F, Carrillo G, Wiggins GA et al. (2016). The Mobile Audio Ontology: Experiencing Dynamic Music Objects on Mobile Devices. nameOfConference
  • Thalmann F, Perez Carillo A, Fazekas G et al. (2016). The Semantic Music Player: A Smart Mobile Player Based on Ontological Structures and Analytical Feature Metadata. nameOfConference
  • FREEMAN J, SANDLER M, WIGGINS G et al. (2015). A concise taxonomy for describing data as an art material.. IEEE VIS
  • Agres K, McGregor S, Purver M et al. (2015). Conceptualizing Creativity: From Distributional Semantics to Conceptual Spaces. nameOfConference
  • McGregor S, Purver M, Wiggins G (2015). Metaphor, Meaning, Computers and Consciousness. nameOfConference
  • HEDGES TW, Wiggins GA (2015). Segmentation and grouping structures in jazz chord sequences: An information-theoretic approach. nameOfConference
  • Rohrmeier M, Zuidema W, Wiggins GA et al. (2015). Principles of structure building in music, language and animal song.. nameOfConference
  • Wiggins GA, Tyack P, Scharff C et al. (2015). The evolutionary roots of creativity: mechanisms and motivations.. nameOfConference
  • McGregor S, Agres K, Purver M et al. (2015). From Distributional Semantics to Conceptual Spaces: A Novel Computational Method for Concept Creation. nameOfConference
  • WIGGINS GA, Forth JC (2015). IDyOT: A Computational Theory of Creativity as Everyday Reasoning from Learned Information. nameOfConference
  • Griffiths SS, McGinity MM, Forth J et al. (2015). Information-theoretic segmentation of natural language. nameOfConference
  • Thalmann F, Carrillo A, Fazekas G et al. (2015). Navigating Ontological Structures based on Feature Metadata Using the Semantic Music Player. nameOfConference
  • Agres K, Wiggins GA (2015). Schematic processing as a framework for learning and creativity in CBR and CC. nameOfConference
  • Thalmann F, Ewert S, Sandler M et al. (2015). Spatially Rendering Decomposed Recordings - Integrating Score-Informed Source Separation and Semantic Playback Technologies. nameOfConference
  • McGregor S, Wiggins G, Purver M (2014). Computational Creativity: A Philosophical Approach, and an Approach to Philosophy. nameOfConference
  • Hargreaves S, Wiggins G, Sandler M (2014). A Semantic Web approach to pattern discovery in data and music. nameOfConference
  • Wiggins GA, Bhattacharya J (2014). Mind the gap: an attempt to bridge computational and neuroscientific approaches to study creativity.. nameOfConference
  • Whorley R, Wiggins GA, Rhodes CS et al. (2013). Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical Viewpoints. nameOfConference
  • Forth J, Giannimaras A, Wiggins GA et al. (2013). Demonstrating serena: Chance encounters in the space of ideas. nameOfConference
  • Forth J, Giannimaras T, Wiggins GA et al. (2013). SerenA: A multi-site pervasive agent environment that supports serendipitous discovery in research. nameOfConference
  • Proutskova P, Rhodes C, Crawford T et al. (2013). Breathy, Resonant, Pressed - Automatic Detection of Phonation Mode from Audio Recordings of Singing. nameOfConference
  • Egermann H, Pearce MT, Wiggins GA et al. (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music.. nameOfConference
  • Proutskva P, Rhodes C, Wiggins G et al. (2012). Breathy or resonant - A controlled and curated dataset for phonation mode detection in singing. nameOfConference
  • McLean A, Wiggins G (2012). Computer programming in the creative arts. nameOfConference
  • Wiggins GA (2012). On the correctness of imprecision and the existential fallacy of absolute music. nameOfConference
  • Wiggins GA (2012). The future of (mathematical) music theory. nameOfConference
  • Pearce MT, Wiggins GA (2012). Auditory Expectation: The Information Dynamics of Music Perception and Cognition. nameOfConference
  • Colton S, Wiggins GA (2012). Computational creativity: The final frontier?. nameOfConference
  • Wiggins GA (2012). Crossing the theshold paradox: Modelling creative cognition in the global workspace. nameOfConference
  • Wiggins GA (2012). Defining Inspiration? Modelling non-conscious creative process. nameOfConference
  • Wiggins GA (2012). Music, Mind and Mathematics: Theory, Reality and Formality. nameOfConference
  • Wiggins GA (2012). The Mind’s Chorus: Creativity before Consciousness. nameOfConference
  • Ewert S, Müller M, Konz V et al. (2012). Towards Cross-Version Harmonic Analysis of Music. nameOfConference
  • Wiggins GA (2012). “I let the music speak”: cross-domain application of a cognitive model of musical learning. nameOfConference
  • Wiggins GA (2011). Computer Models of (Music) Cognition. nameOfConference
  • Gingras B, Goodchild M, Dean RT et al. (2011). Exploring interrelationships between melodic expectations, tempo variations, and perceived tension in performances of an unmeasured prelude for harpsichord. nameOfConference
  • Gingras B, Dean R, Pearce MT et al. (2011). Information Dynamics and Musical Performance. nameOfConference
  • Müllensiefen D, Wiggins GA (2011). Sloboda and Parker’s recall paradigm for melodic memory: a new, computational perspective. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2010). Melodic grouping in music information retrieval: New methods and applications. nameOfConference
  • Wiggins GA (2010). A cross-domain model? Grouping of phonemes into syllables by a model of melodic segmentation. nameOfConference
  • McLean A, Wiggins G (2010). Bricolage Programming in the Creative Arts. nameOfConference
  • Cardoso A, Veale T, Wiggins GA (2010). Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. nameOfConference
  • Wiggins GA (2010). Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive Model. nameOfConference
  • Whorley R, Wiggins GA, Rhodes C et al. (2010). Development of Techniques for the Computational Modelling of Harmony. nameOfConference
  • Wiggins GA (2010). I Let the Music Speak: A Model of Music Perception that Predicts Speech Segmentation. nameOfConference
  • McLean A, Wiggins GA (2010). Live coding towards computational creativity. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2010). Melodic Grouping in Music Information Retrieval: New Methods and Applications. nameOfConference
  • Wiggins GA, Müllensiefen D, Pearce MT (2010). On the non-existence of Music: Why music theory is a figment of the imagination. nameOfConference
  • McLean A, Wiggins G (2010). Petrol: Reactive pattern language for improvised music. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2010). The role of expectation and probabilistic learning in auditory boundary perception: A model comparison. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2010). The role of expectation and probabilistic learning in auditory boundary perception: a model comparison.. nameOfConference
  • McLean A, Wiggins G (2010). Tidal - Pattern Language for the Live Coding of Music. nameOfConference
  • Forth J, Wiggins G, McLean A (2010). Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. nameOfConference
  • Pearce MT, Herrojo Ruiz M, Kapasi S et al. (2010). Unsupervised Statistical Learning Underpins Computational, Behavioural and Neural Manifestations of Musical Expectation. nameOfConference
  • McLean A, Griffiths D, Collins N et al. (2010). Visualisation of Live Code. nameOfConference
  • Lewis RJ, Lewis D, Crawford T et al. (2009). Music and Text: Integrating Scholarly Literature into Music Datasets. nameOfConference
  • Forth J, Wiggins GA (2009). An approach for identifying salient repetition in multidimensional representations of polyphonic music. nameOfConference
  • Wiggins GA, Pearce MT, Müllensiefen D (2009). Computational Modelling of Music Cognition and Musical Creativity. nameOfConference
  • Wiggins GA (2009). Computer-Representation of Music in the Research Environment. nameOfConference
  • CATTERALL PP (2009). Foreword. nameOfConference
  • Lemström K, Wiggins GA (2009). Formalizing invariances for content-based music retrieval. nameOfConference
  • Bown O, Wiggins GA (2009). From Maladaptation to Competition to Cooperation in the Evolution of Musical Behaviour. nameOfConference
  • Wiggins GA (2009). Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of Music. nameOfConference
  • McLean A, Wiggins G (2009). Words, Movement and Timbre. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2008). A comparison of statistical and rule-based models of melodic segmentation. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2008). An information-dynamic model of melodic segmentation. nameOfConference
  • Mauch M, Müllensiefen D, Dixon S et al. (2008). Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. nameOfConference
  • Mauch M, Müllensiefen D, Dixon S et al. (2008). Can Statistical Language Models be used for the Analysis of Harmonic Progressions?. International Conference on Music Perception and Cognition
  • Whorley RP, Pearce MT, Wiggins GA (2008). Computational Modelling of the Cognition of Harmonic Movement. nameOfConference
  • Müllensiefen D, Wiggins GA, Lewis D (2008). High-level Feature Descriptors and Corpus-Based Musicology: Techniques for Modelling Music Cognition. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA (2008). Melodic Segmentation: A New Method and a Framework for Model Comparison. nameOfConference
  • Pearce MT, Wiggins GA (2008). Meta-models of music cognition. nameOfConference
  • Halpern A, Müllensiefen D, Wiggins GA (2008). Modelling Memory Responses in a Melody Recognition Task. nameOfConference
  • Forth J, McLean A, Wiggins GA (2008). Musical Creativity on the Conceptual Level. nameOfConference
  • Pearce MT, Müllensiefen D, Wiggins GA et al. (2008). Perceptual Segmentation of Melodies: Ambiguity, Rules and Statistical Learning. nameOfConference
  • Müllensiefen D, Wiggins GA (2008). Polynomial Contour as a Core Feature for Representing Melodies. nameOfConference
  • Marsden A, Wiggins GA (2008). Schenkerian Reduction as Search. nameOfConference
  • McLean A, Wiggins GA (2008). Vocable Synthesis. nameOfConference
  • Müllensiefen D, Lewis D, Rhodes C et al. (2007). Evaluating a chord-labelling algorithm. nameOfConference
  • Wiggins GA (2007). A Portfolio of Musical Compositions. nameOfConference
  • McLean A, Leymarie FF, Wiggins G (2007). Apollonius diagrams and the Representation of Sounds and Music. nameOfConference
  • Bown O, Wiggins GA (2007). Biocultural Models of Interaction Between Musical and Non-Musical Forms of Behaviour in Evolution. nameOfConference
  • Pearce MT, Wiggins GA (2007). Evaluating cognitive models of musical composition. nameOfConference
  • Müllensiefen D, Lewis D, Wiggins GA (2007). Feature description and corpus-based musicology: Tools for modelling music cognition. nameOfConference
  • Craft A, Wiggins GA, Crawford T (2007). How Many Beans make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Sysytems. nameOfConference
  • Thornton C (2007). How thinking inside the box can become thinking outside the box. nameOfConference
  • Pearce MT, Wiggins GA (2007). Information Dynamics in Music Perception and Cognition. nameOfConference
  • Potter K, Wiggins GA, Pearce MT (2007). Information Dynamics of Music: a case study of Philip Glass’ Two Pages. nameOfConference
  • Allan RH, Wiggins GA, Müllensiefen D (2007). Methodological Considerations in Studies of Musical Similarity. nameOfConference
  • Wiggins GA (2007). Models of musical similarity. nameOfConference
  • Bown O, Wiggins GA (2007). Music: Evolution Without Adaptation. nameOfConference
  • Bown O, Wiggins GA (2007). On the Meaning of Life (in Artificial Life Approaches to Music). nameOfConference
  • (2007). Proceedings of the 4th International Joint Workshop on Computational Creativity. nameOfConference
  • Wiggins GA (2007). Review article: ‘Computer Models of Musical Creativity’ by David Cope.. nameOfConference
  • Müllensiefen D, Pearce MT, Wiggins GA (2007). Segmenting Pop Melodies: A Model Comparison Approach. nameOfConference
  • Whorley RP, Wiggins GA, Pearce MT (2007). Systematic Evaluation and Improvement of Statistical Models of Harmony. nameOfConference
  • Potter K, Wiggins GA, Pearce MT (2007). Towards greater objectivity in music theory: Information-dynamic analysis of minimalist music. nameOfConference
  • Müllensiefen D, Lewis D, Rhodes C et al. (2007). Treating Inherent Ambiguity in Ground Truth Data: Evaluating a Chord Labelling Algorithm. nameOfConference
  • Müllensiefen D, Lewis D, Wiggins GA (2007). Where’s the Chorus? A Computational Approach to the Automatic Segmentation of Pop Songs. nameOfConference
  • Deliège I, Wiggins GA (2006). Musical creativity: Multidisciplinary research in theory and practice. nameOfConference
  • Deliège I, Wiggins GA (2006). Preface. nameOfConference
  • Wiggins GA (2006). A Preliminary Framework for Description, Analysis and Comparison of Creative Systems. nameOfConference
  • Clifford R, Christodoulakis M, Crawford T et al. (2006). A fast, randomised, maximal subset matching algorithm for document-level music retrieval. nameOfConference
  • Phon-Amnuaisuk S, Smaill A, Wiggins G (2006). Chorale harmonization: A view from a search control perspective. nameOfConference
  • Crawford T, Pickens J, Wiggins G (2006). Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. nameOfConference
  • Pearce MT, Wiggins GA (2006). Expectation in Melody: The Influence of Context and Learning. nameOfConference
  • Wiggins GA (2006). Four Quartets. nameOfConference
  • Chan T-ST, Wiggins G (2006). More Evidence for A Computational Memetics Approach to Music Information and New Interpretations of An Aesthetic Fitness Measure. nameOfConference
  • (2006). Musical Creativity: Current research in theory and practice. nameOfConference
  • Wiggins GA (2006). Searching for Computational Creativity. nameOfConference
  • Pearce MT, Wiggins GA (2006). The information dynamics of melodic boundary detection. nameOfConference
  • Chan T-ST, Wiggins G (2005). A Computational Memetics Approach to Music Information and Aesthetic Fitness. nameOfConference
  • Lewis D, Crawford T, Wiggins GA et al. (2005). Abstracting Musical Queries: Towards a Musicologist’s Workbench. nameOfConference
  • Meredith D, Wiggins GA (2005). Comparing pitch spelling algorithms. nameOfConference
  • Pickens J, Crawford T, Wiggins GA (2005). Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. nameOfConference
  • Melo A, Drever J, Wiggins GA (2005). Electroacoustic Performance Interfaces that Learn from their Users. nameOfConference
  • Pearce MT, Conklin D, Wiggins GA (2005). Methods for Combining Statistical Models of Music. nameOfConference
  • Bown O, Wiggins GA (2005). Modelling Musical Behaviour in a Cultural-Evolutionary System. nameOfConference
  • REISS J, Wiggins GA (2005). Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR). nameOfConference
  • Lewis D, Gale M, Crawford T et al. (2005). Questions of Musical Resemblance: ‘families’ of pieces in an electronic corpus. nameOfConference
  • Wiggins GA (2005). not even the rain. nameOfConference
  • Pearce MT, Wiggins GA (2004). Improved Methods for Statistical Modelling of Monophonic Music. nameOfConference
  • Pearce M, Conklin D, Wiggins G (2004). Methods for combining statistical models of music. nameOfConference
  • Pearce MT, Wiggins GA (2004). Rethinking Gestalt Influences on Melodic Expectancy. nameOfConference
  • Melo A, Wiggins GA (2003). A Connectionist Approach to Driving Chord Progressions Using Tension. nameOfConference
  • Pearce MT, Wiggins GA (2003). An empirical comparison of the performance of PPM variants on a prediction task with monphonic music. nameOfConference
  • Wiggins GA (2003). Categorising Creative Systems. nameOfConference
  • Ferrand M, Nelson P, Wiggins GA (2003). Memory and Melodic Density: A Model for Melody Segmentation. nameOfConference
  • Ferrand M, Nelson P, Wiggins G (2003). Unsupervised Learning of Melodic Segmentation: A Memory-Based Approach. nameOfConference
  • Phon-Amnuaisuk S, Smaill A, Wiggins GA (2002). A Computational Model for Chorale Harmonisation in the Style of J. S. Bach. nameOfConference
  • Ferrand M, Nelson P, Wiggins GA (2002). A Probabilistic Model for Melody Segmentation. nameOfConference
  • Meredith D, Lemström K, Wiggins G (2002). Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music. nameOfConference
  • Rutherford J, Wiggins GA (2002). An Experiment in the automatic creation of music which has specific emotional content. nameOfConference
  • Pearce MT, Wiggins GA (2002). Aspects of a cognitive theory of creativity in musical composition. nameOfConference
  • Chan T-ST, Wiggins G (2002). Computational Memetics of Music. nameOfConference
  • Pearce MT, Meredith D, Wiggins GA (2002). Motivations and methodologies for automation of the compositional process. nameOfConference
  • (2002). Proceedings of the AISB’02 Symposium on AI and Creativity in the Arts and Sciences. nameOfConference
  • Wiggins GA, Lemström K, Meredith D (2002). SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music Retrieval. nameOfConference
  • Lemström K, Wiggins GA, Meredith D (2001). A Three-Layer Approach for Music Retrieval in Large Databases. nameOfConference
  • Pearce M, Wiggins GA, Meredith D (2001). Motivations and Methodologies for Automation of the Compositional Process.. nameOfConference
  • Cambouropoulos E, Crawford T, Iliopoulos CS (2001). Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects. nameOfConference
  • Meredith D, Wiggins GA, Lemström K (2001). Pattern induction and matching in polyphonic music and other multidimensional datasets. nameOfConference
  • (2001). Proceedings of the AISB’01 Symposium on AI and Creativity in the Arts and Sciences. nameOfConference
  • (2001). Proceedings of the ICCBR’01 Workshop on Creative Systems. nameOfConference
  • Rolland P-Y, Cambouropoulos E, Wiggins GA (2001). Special Issue: Pattern Processing in Music Analysis and Creation. nameOfConference
  • Pearce MT, Wiggins GA (2001). Towards a framework for the evaluation of machine compositions. nameOfConference
  • Wiggins GA (2001). Towards a more precise characterisation of creativity in AI. nameOfConference
  • Wiggins G (2001). “Representing Musical Time: A Temporal-Logic Approach” by Alan Marsden. nameOfConference
  • Wiggins GA, Trewin S (2000). A system for the concerned teaching of musical aural skills. nameOfConference
  • Wiggins GA, Smaill A (2000). Musical Knowledge: what can Artificial Intelligence bring to the musician?. nameOfConference
  • (2000). Proceedings of the AISB’00 Symposium on AI and Creativity in the Arts and Sciences. nameOfConference
  • Curry B, Wiggins GA, Hayes J (2000). Representing Trees with Constraints. nameOfConference
  • Wiggins GA (2000). Special Issue on Artificial Intelligence and Creativity in Arts and Sciences. nameOfConference
  • Birch N, Plummer J, Wiggins G et al. (1999). Panel: Nurturing creativity. nameOfConference
  • Curry B, Wiggins GA (1999). A New Approach to Cooperative Performance: A Preliminary Experiment. nameOfConference
  • Papadopoulos G, Wiggins GA (1999). AI Methods for Algorithmic Composition: A survey, a Critical View and Future Prospects. nameOfConference
  • Brand ao M, Pain H, Wiggins GA (1999). Computers in Music Education. nameOfConference
  • Wiggins GA, Papadopoulos G, Phon Amnuaisuk S et al. (1999). Evolutionary methods for musical composition. nameOfConference
  • Phon-Amnuaisuk S, Tuson A, Wiggins GA (1999). Evolving Musical Harmonisation. nameOfConference
  • Abbass HA, Wiggins GA, Lakshmanan R et al. (1999). Heat Exchanger Network Retrofit by Constraint Logic Programming. nameOfConference
  • Abbass HA, Wiggins GA, Lakshmanan R et al. (1999). Integrating optimisation and search: An Intelligent Tool for Chemical Process Synthesis. nameOfConference
  • (1999). Proceedings of the AISB’99 Symposium on Musical Creativity. nameOfConference
  • Ponsford D, Wiggins GA, Mellish C (1999). Statistical learning of harmonic movement. nameOfConference
  • Phon-Amnuaisuk A, Wiggins GA (1999). The Four-Part Harmonisation Problem: A Comparison between Genetic Algorithms and a Rule-Based System. nameOfConference
  • Wiggins G (1999). “Melodic Similarity: Concepts, Procedures, and Applications” by Walter Hewlett and Eleanor Selfridge-Field. nameOfConference
  • Papadopoulos G, Wiggins GA (1998). A Genetic Algorithm for the Generation of Jazz Melodies. nameOfConference
  • Wiggins GA (1998). Music, Syntax, and the Meaning of “Meaning”. nameOfConference
  • Robertson J, de Quincey A, Stapleford T et al. (1998). Real-Time Music Generation for a Virtual Environment. nameOfConference
  • Wiggins GA (1998). The Use of Constraint Systems for Musical Composition. nameOfConference
  • Wiggins GA, Smaill A (1997). Musical Knowledge: what can Artificial Intelligence bring to the musician?. nameOfConference
  • (1996). Proceedings of the International Congress on Music and AI, 1995. nameOfConference
  • Parkes AJ, Wiggins GA (1996). Logic program synthesis by induction over horn clauses. nameOfConference
  • Cambouropoulos E, Nelson P, Smaill A et al. (1996). Special Issue on Music and Artificial Intelligence. nameOfConference
  • Wiggins GA (1995). Understanding music with AI: Perspectives on cognitive musicology: M. Balaban, K. Ebcioglu and O. Laske, eds., (The MIT Press, Cambridge, MA 1993); 512 pages, softback; ISBN 0-262-52170-9. nameOfConference
  • Richards BL, Kraan I, Smaill A et al. (1994). Mollusc: a general proof development shell for sequent-based logics. International Conference on Automated Deduction CADE 1994: Automated Deduction — CADE-12
  • Wiggins GA (1994). Improving the whelk system: A type-theoretic reconstruction. nameOfConference
  • (1994). Music Education: An Artificial Intelligence Perspective, Edinburgh 19 93. nameOfConference
  • Wiggins GA (1994). Whelk Type Theory. nameOfConference
  • Wiggins GA, Miranda E, Smaill A et al. (1993). A framework for the evaluation of music representation systems. nameOfConference
  • Lombart V, Wiggins GA, Deville Y (1993). Guiding Synthesis Proofs. nameOfConference
  • Smaill A, Wiggins GA, Harris M (1993). Hierarchical Music Representation for Analysis and Composition. nameOfConference
  • Smaill A, Wiggins G, Harris M (1993). Hierarchical music representation for composition and analysis. nameOfConference
  • Smaill A, Wiggins GA, Miranda E (1993). Music Representation – between the musician and the computer. nameOfConference
  • Adamson J, Wiggins GA (1993). Party Games. nameOfConference
  • Wiggins GA (1993). Retrospective. nameOfConference
  • Wiggins GA, Miranda E, Smaill A et al. (1993). Surveying Musical Representation Systems: A Framework for Evaluation. nameOfConference
  • (1992). 3rd UK Annual Conference on Logic Programming, Edinburgh 1991. nameOfConference
  • Adamson J, Jones M, Wiggins GA (1992). Creation’s Hymn. nameOfConference
  • Wiggins GA (1992). Elements. nameOfConference
  • Wiggins GA (1992). Negation and Control in Automatically Generated Logic Programs. nameOfConference
  • Wiggins GA (1992). Synthesis and Transformation of Logic Programs in the Whelk Proof Development System. nameOfConference
  • Bryson J, Smaill A, Wiggins GA (1992). The Reactive Accompanist: Applying Subsumption Architecture to Software Design. nameOfConference
  • Wiggins GA (1992). better now. nameOfConference
  • Wiggins GA (1991). An Adaptable Formalism for the Computational Analysis of English Noun Phrase Reference. nameOfConference
  • Wiggins GA (1991). Preces and Responses. nameOfConference
  • Harris M, Smaill A, Wiggins G (1991). Representing Music Symbolically. nameOfConference
  • Wiggins GA, Bundy A, Kraan I et al. (1991). Synthesis and Transformation of Logic Programs through Constructive, Inductive Proof. nameOfConference
  • Wiggins GA (1990). The Improvement of Prolog Program Efficiency by Compiling Control: A Proof-Theoretic View. nameOfConference
  • Smaill A, Wiggins GA, Harris M (1990). Hierarchical Music Representation for Analysis and Composition. nameOfConference
  • Bundy A, Smaill A, Wiggins GA (1990). The Synthesis of Logic Programs from Inductive Proofs. nameOfConference
  • Wiggins GA, Harris M, Smaill A (1989). Representing Music for Analysis and Composition. nameOfConference
  • Wiggins GA, Harris M, Smaill A (1989). Representing music for analysis and composition. nameOfConference