image

Journal Papers

 

Wu, Y., & Bryan-Kinns, N. (in press). Musicking with an Interactive Musical System: the Effects of Task Motivation and User Interface Mode on Non-musicians’ Creative Engagement. To appear in International Journal of Human-Computer Studies.

Bryan-Kinns, N., Wang, W., & Ji, T. (2018). Exploring Interactivity and Co-Creation in Rural China. Interacting with Computers. Oxford University Press. {PDF}

Wu, Y., Zhang, L., Bryan-Kinns, N., & Barthet, M. (2017). Open Symphony: Supporting Audience Creative Participation in Live Music Performance. IEEE Multimedia, 24, 48-62.

Mazzoni, A. & Bryan-Kinns, N. (2016). Mood Glove: A haptic wearable prototype system to enhance mood music in film. Entertainment Computing, 17, 9–17. DOI:10.1016/j.entcom.2016.06.002. {PDF}

Wang, W., Bryan-Kinns, N., & Ji, T. (2016). Using community engagement to drive co-creation in rural China. International Journal of Design, 10(1), 37-52. {PDF}

Metatla, O., Martin, F., Parkinson, A., Bryan-Kinns, N., Stockman, T., & Tanaka, A. (2016). Audio-haptic interfaces for digital audio workstations: A participatory design approach. Journal on Multimodal User Interfaces 1-12. {PDF}

Metatla, O., Bryan-Kinns, N,, Stockman, T., & Martin, F. (2016) Sonification of reference markers for auditory graphs: effects on non-visual point estimation tasks. PeerJ Computer Science 2:e51 {PDF}

Morgan, E., Gunes, H., & Bryan-Kinns, N. (2015). Using Affective and Behavioural Sensors to Explore Aspects of Collaborative Music Making. IIJHCS, 31-47. DOI: 10.1016/j.ijhcs.2015.05.002 {PDF}

Metatla O., Martin F., Stockman T., & Bryan-Kinns N. (2014). Audio-haptic mockups, audio diaries and participatory prototyping: Designing with and for people living with visual impairments. CoDesign: International Journal of CoCreation in Design and the Arts. {PDF}

Heitlinger, S., & Bryan-Kinns, N. (2013). Understanding performative behaviour within content-rich Digital Live Art. Digital Creativity 24(2), pp. 111-118.

Murray-Browne T, Mainstone D, Bryan-Kinns N, & Plumbley MD. (2013). The serendiptichord: Reflections on the collaborative design process between artist and researcher. Leonardo 46(1), 86-87. DOI: doi:10.1162/LEON_a_00494{PDF}

Bryan-Kinns, N. (2012). Mutual Engagement and Collocation with Shared Representations. International Journal of Human Computer Studies. DOI: http://dx.doi.org/10.1016/j.ijhcs.2012.02.004 {PDF}

Bryan-Kinns, N. (2012). Mutual Engagement in Social Music Making. LNICST 78, 260-266.{PDF}

Metatla, O., Bryan-Kinns, N., and Stockman, T. (2012). Interactive Hierarchy-Based Auditory Displays for Accessing and Manipulating Relational Diagrams. Journal on Multimodal User Interfaces, Vol. 5, Issue 3 (2012), Page 111-122, Springer Berlin/ Heidelberg.{PDF}

Metatla O., Bryan-Kinns N., & Stockman T. (2012). The Effects of Using Headphones and Speakers on Collaboration in an Audio-only Workspace. Journal of the Audio Engineering Society.

Bryan-Kinns, N. (2011). Annotating Distributed Scores for Mutual Engagement in Daisyphone and Beyond. Leonardo Music Journal, Vol. 21. {PDF}

Marshall, J., Airantzis, D., Angus, A., Bryan-Kinns, N., Fencott, R., Lane, G., Lesage, F., Martin, K., Roussos, G., Taylor, J., Warren, L., Woods, O. (2010). Sensory Threads. Leonardo 43(2), pp. 196-197. {PDF}

Bryan-Kinns, N., & Hamilton, F. (2009). Identifying Mutual Engagement. Behaviour & Information Technology. DOI: 10.1080/01449290903377103 {PDF}

Stowell, D., Robertson, A., Bryan-Kinns, N., & Plumbley, M. D. (2009). Evaluation of live human-computer music-making: quantitative and qualitative approaches. International Journal of Human - Computer Studies, 67, pp. 960-975. {PDF}

Sheridan, J.G. & Bryan-Kinns, N. (2008). Designing for Performative Tangible Interaction. International Journal of Arts and Technology. Special Issue on Tangible and Embedded Interaction. ISSN 1754-8853. {PDF}

Sheridan, J. G., Bayliss, A., & Bryan-Kinns, N. (2007). The interior life of iPoi: objects that entice witting transitions in performative behaviour. International Journal of Performance and Digital Media, Vol. 3, No. 1, Intellect Press, pp. 17 - 37.

Bryan-Kinns, N., & Broadbent, P. (2004). Anthropomorphizing mass communication. Interactions, Vol.11, No. 2, pp. 57-60.

Bryan-Kinns, N. (2000). VCMF: A Framework for Video Content Modelling. Multimedia Tools and Applications, Vol. 10, No. 1, pp. 23-45.

Books, Chapters and Editorship

Milo, A., Bryan-Kinns, N., & Reiss, J. D. (2018). Graphical Research Tools for Acoustic Design Training: Capturing Perception in Architectural Settings. In Handbook of Research on Perception-Driven Approaches to Urban Assessment and Design, IGI Global, 397-434.

A NIME Reader - Fifteen Years of New Interfaces for Musical Expression. (2017). Alexander Refsum Jensenius, A. R., & Lyons, M. J. (Eds.), Springer. {BOOK}

Bryan-Kinns, N. (2014). Mutual Engagement in Digitally Mediated Public Art. In Interactive Experience in the Digital Age, Candy, L., & Ferguson, S. (Eds.), Springer. {BOOK}

Bengler, B., & Bryan-Kinns, N. (2014). In the Wild: Evaluating Collaborative Interactive Musical Experiences in Public Settings. In Interactive Experience in the Digital Age, Candy, L., & Ferguson, S. (Eds.), Springer. {BOOK}

Fencott, R., and Bryan-Kinns, N. (2012). Computer Musicking: HCI, CSCW and Collaborative Digital Musical Interaction. In Music and Human-Computer Interaction, Springer Cultural Computing Series. Springer.

England, D., & Bryan-Kinns, N. (Eds.) Special issue of International Journal of Arts and Technology on Whole Body Interaction: Applications, Case Studies, Evaluations and Critical Theory.

Bryan-Kinns, N., & Edmonds, E. (Eds.) (2010). Special issue of CoDesign on Collaborative Creativity, Vol. 6, No. 4, Taylor & Francis.

Bryan-Kinns, N., Gross, M. D., Johnson, H., Ox, J., & Wakkary, R. (Eds.) (2009). Everyday Creativity. Proceedings of the seventh ACM conference on Creativity and cognition, ACM, New York.

Bryan-Kinns, N., Blandford, A., Curzon, P., & Nigay, L. (Eds.) (2006) People and Computers XX - Engage: Proceedings of HCI 2006, London, UK.

Bryan-Kinns, N. et al. (2001). Prototypes - Representations with Political Agenda. In: The Usability Business, Bawa, J., Dorazio, P., & Trenner, L. (Eds.), Springer.

Bryan-Kinns, N. (2000). A Framework for Supporting Reuse in Hypermedia. In: Design and Management of Multimedia Information Systems: Opportunities and Challenges, Rahman, S. M. (Ed.).

Bryan-Kinns, N. J. (1998). A Framework for Modelling Video Content. Ph.D. Thesis, University of London.

Full Conference Papers

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2018). “I Hear You”: Understanding Awareness Information Exchange in an Audio-only Workspace. In Proceedings of ACM SIG CHI 2018. DOI=10.1145/3173574.3174120

Bin, S. A., Morreale F., Bryan-Kinns N., & McPherson A.P. (2017). In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. In Proceedings of INTERACT 2017, Lecture Notes in Computer Science, 10513, 263-281. Springer.

Bin, A., Bryan-Kinns, N., & McPherson, A. (2017). Hands where we can see them! Investigating the impact of gesture size on audience perception. In Proceedings of ICMC 2017.

Wu, Y., & Bryan-Kinns, N. (2017). Supporting Non-Musicians' Creative Engagement with Musical Interfaces. In Proceedings of ACM Creatiivty and Cognition 2017.

Wu, Y., Bryan-Kinns, N., Wang, W., Sheridan, J., & Xu, X. (2017). Designing a Cross-Cultural Interactive Music Box through Meaning Construction. In Proceedings of HCI International 2017.

Milo, A., Bryan-Kinns, N., & Reiss, J. D. (2017). Influences of a Key Map on Soundwalk Exploration with a Textile Sonic Map. In Proceedings of Audio Engineering Society Convention 143.

Tez, H., & Bryan-Kinns, N. (2017). Exploring the Effect of Interface Constraints on Live Collaborative Music Improvisation. In Proceedings of NIME 2017.

Pan J., Bryan-Kinns N., & Dong H. (2017). Mobile Technology Adoption Among Older People - An Exploratory Study in the UK. In: Zhou J., Salvendy G. (eds) Human Aspects of IT for the Aged Population. Aging, Design and User Experience. ITAP 2017. Lecture Notes in Computer Science, vol 10297. Springer. DOI=doi.org/10.1007/978-3-319-58530-7_2

Metatla, O., Correia, N. N., Martin, F., Bryan-Kinns, N., & Stockman, T. (2016). Tap the ShapeTones: Exploring the effects of crossmodal congruence in an audio-visual interface. In Proceedings of ACM SIG CHI 2016. {PDF}

Bin, A., McPherson, A., Bryan-Kinns, N. (2016). Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. In Proceedings of NIME 2016. {PDF}

Knecht, K., Bryan-Kinns, N., & Shoop K. (2016). Usability and Design of Personal Wearable and Portable Devices for Thermal Comfort in Shared Work Environments. In Proceedings of BCS HCI 2016. DOI=http://dx.doi.org/10.14236/ewic/HCI2016.41 {pdf}

Mazzoni, A., & Bryan-Kinns, N. (2015). How Does It Feel Like? An Exploratory Study of a Prototype System to Convey Emotion through Haptic Wearable Devices. In Proceedings of 7th International Conference on Intelligent Technologies for Interactive Entertainment. DOI=dx.doi.org/10.4108/icst.intetain.2015.259625 {PDF}

Morgan, E., Gunes, H., Bryan-Kinns, N. (2015). The LuminUs: Providing musicians with visual feedback on the gaze and body motion of their co-performers. In Proceedings of INTERACT 2015, DOI=http://dx.doi.org/10.1007/978-3-319-22668-2_4 {PDF}

Feng, F., Stockman, T., Bryan-Kinns, N., & AI-Thani, D. (2015). An investigation into the comprehension of map information presented in audio. In Proceedings of the XVI International Conference on Human Computer Interaction (Interacción '15). ACM, New York, NY, USA, , Article 29 , 8 pages. DOI=http://dx.doi.org/10.1145/2829875.2829896

Metatla, O., Bryan-Kinns, N., Stockman, T., & Martin, F. (2015). Sonifications for Digital Audio Workstations: Reflections on a Participatory Design Approach. In Proceedings of ICAD 2015.

Bryan-Kinns, N., & Wang, W. (2014). Meeting new global challenges in media arts and design: the development of a collaborative Sino-UK international inter-disciplinary education practice, International Journal of Art and Design Education Conference (IJADE), Liverpool, UK.

Bengler, B., & Bryan-Kinns, N. (2013). Designing collaborative musical experiences for broad audiences. In Proceedings of the 9th ACM Conference on Creativity & Cognition (C&C ’13), ACM, New York, NY, USA, 234-242. {PDF}

Heitlinger, S., Bryan-Kinns, N., & Jefferies, J. (2013). Sustainable HCI for grassroots urban food-growing communities. In Proceedings of the 25th Australian Computer-Human Interaction Conference (OzCHI).

Morgan, E., Gunes, H., & Bryan-Kinns, N. (2013). Measuring Affect for the Study and Enhancement of Co-Present Creative Collaboration. In Proceedings of Affective Computing and Intelligent Interaction (ACII'13), Geneva, Switzerland. {PDF}

Meckin, D., & Bryan-Kinns N. (2013) moosikMasheens: Music, Motion and Narrative with Young People who have Complex Needs. In proceedings Interaction Design and Children, New York USA. {PDF}

Metatla, O., Bryan-Kinns, N., Stockman, T., & Stockman, T. (2012). Supporting Cross-Modal Collaboration in the Workplace. In Proceedings of HCI 2012, Birmingham, UK. Recipient of Honourable Mention.

Fencott, R., & Bryan-Kinns, N. (2012). Audio Delivery and Territoriality in Collaborative Digital Musical Interaction. In Proceedings of HCI 2012, Birmingham, UK.

Barden, P., Comber, R., Green, D., Jackson, D., Ladha, C., Bartindale, T., Bryan-Kinns, N., Stockman, T., & Olivier, P. (2012). Telematic Dinner Party: Designing for Togetherness through Play and Performance, In Proceedings of ACM DIS 2012, Newcastle, UK.

Metatla, O., Bryan-Kinns, N., Stockman, T., & Martin, F. (2012). Cross-modal collaborative interaction between visually-impaired and sighted users in the workplace. To appear in Proceedings of the 18th International Conference on Auditory Display (ICAD2012). Georgia Institute of Technology, Atlanta, GA, USA. {PDF}

T. Murray-Browne, D. Mainstone, N. Bryan-Kinns and M. D. Plumbley. (2011). The medium is the message: Composing instruments and performing mappings. In Proceedings of the International Conference on New Instruments for Musical Expression (NIME-11), Oslo, Norway, 2011. {PDF}

Fencott, R., & Bryan-Kinns, N. (2010) Hey Man, you're invading my Personal Space! Privacy and Awareness in Collaborative Music. In Proceedings of NIME 2010, Sydney, Australia. {PDF}

Murray-Browne, T., Mainstone, D., Bryan-Kinns, N., & Plumbley, M. D. (2010). The Serendiptichord: A Wearable Instrument For Contemporary Dance Performance. In Proceedings of the 128th Audio Engineering Society Convention, May 22-25 2010, London, UK. {PDF}

Bryan-Kinns, N., Airantzis, D., Angus, A., Fencott, R., Lane, G,, Lesage, F., Marshall, J., Martin, K., Roussos, G., Taylor, J., Warren, L., & Woods, O. (2009). Sensory Threads: Perceiving the Imperceptible. In Proceedings of 5th International Conference on Intelligent Environments (IE'09).

Thiebaut, J.-B., Healey, P. G. T., & Bryan Kinns, N. (2008). Drawing Electroacoustic Music. In Proceedings of International Computer Music Conference (ICMC), Belfast. {PDF}

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2008) Constructing Relational Diagrams in Audio: The Multiple Perspective Hierarchical Approach. In Proceedings of ASSETS2008, Halifax, Canada.

Stowell, D., Plumbley, M. D., & Bryan-Kinns, N. (2008) Discourse analysis evaluation method for expressive musical interfaces. In Proceedings of New Interfaces for Musical Expression (NIME'08), Genova, Italy. {PDF}

Robertson, A., Plumbley, M. D., & Bryan-Kinns, N. (2008) A Turing Test for B-Keeper: Evaluating an Interactive Real-Time Beat-Tracker. In Proceedings of New Interfaces for Musical Expression (NIME'08), Genova, Italy. {PDF}

Bryan-Kinns, N., & Healey, P. G. T. (2007). Exploring Mutual Engagement in Creative Collaborations. In Proceedings of Creativity and Cognition 2007, Washington, USA, pp. 223 - 232. {PDF}

Bryan-Kinns, N., Healey, P. G. T., Papworth, D. & Vaduuva, A. (2007). Cues to Mutual Knowledge. In Proceedings of ECSCW 07 , Limmerick, 2007. {PDF}

Sheridan, J., Bryan-Kinns, N., & Bayliss, A. (2007) Encouraging Witting Participation and Performance in Digital Live Art. In Proceedings of HCI 2007, Lancaster, UK. {PDF}

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2007) Using Hierarchies to Support Non-Visual Access to Relational Diagrams. In Proceedings of HCI2007, Lancaster UK. {PDF}

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2007) Auditory External Representation: Exploring and Evaluating the Design and Learnability of an Auditory UML Diagram. In Proceedings of ICAD2007, Montreal Canada. {PDF}

Nabavian, S., Bryan-Kinns, N. (2006). Analysing Group Creativity: A Distributed Cognitive Study of Joint Music Composition. In Proceedings of Cognitive Science, pp. 1856-1861. {PDF}

Bryan-Kinns, N., & Healey, P. G. T. (2006). Decay in Collaborative Music Making. In Proceedings of NIME 2006, Paris, France, pp. 114-117. {PDF}

Leach, J., & Bryan-Kinns, N. (2005). Inter-Play: Understanding Group Music Improvisation as a Form of Everyday Interaction. In Proceedings of Less is More — Simple Computing in an Age of Complexity, Microsoft Research Cambridge. {PDF}

Bryan-Kinns, N. (2004). Daisyphone: The Design and Impact of a Novel Environment for Remote Group Music Improvisation. In Proceedings of DIS 2004, Boston, USA, pp. 135-144. {PDF}

Bryan-Kinns, N., & Hamilton, F. (2002). One for all and all for one? Case studies of prototypes in commercial projects. In Proceedings of NordiCHI 2002.

Blandford, A., Stelmaszewska, H. & Bryan-Kinns, N. (2001) Use of multiple digital libraries: a case study. In Proceedings JCDL 2001. 179-188. ACM Press.

Healey, P., & Bryan-Kinns, N. (2000). Analysing Asynchronous Collaboration. In proceedings of HCI 2000, Sunderland, UK, pp. 239-245. {PDF}

Kindberg, T., Bryan-Kinns, N., & Makwana, R. (1999). Supporting the Shared Care of Diabetic Patients. Proceedings of ACM GROUP '99.

Bryan-Kinns, N. (1998). Modelling Video in Hypermedia. In Proceedings of Euromedia 98, Leicester, England, 1998.

Short Conference Papers and Supplementary Publications

Bryan-Kinns, N. (in press). Case Study of Data Mining Mutual Engagement. To appear in Proceedings of British HCI Conference 2018 (BCS-HCI 2018).

Heitlinger, S., Bryan-Kinns, N., & Comber, R. (in press). Connected Seeds and Sensors: Co-designing Internet of Things for Sustainable Smart Cities with urban food-growing communities. To appear in Proceedings of Participatory Design Conference 2018 (PDC18).

Bin, S. A., Bryan-Kinns N., & McPherson A.P. (2018). Risky business: Disfluency as a design strategy. To appear in Proceedings of New Interfaces for Musical Expression 2018 (NIME18).

Men, L., & Bryan-Kinns, N. (2018). LeMo: Supporting Collaborative Music Making in Virtual Reality. To appear in Proceedings of IEEE VR Workshop Sonic Interactions in Virtual Environments (SIVE18).

Bengler, B., Martin, F., & Bryan-Kinns, N. (2018). Collidoscope. interactions, 25(2), 12-13. DOI: 10.1145/3183349

Bengler, B., Martin, F., Bryan-Kinns, N., Frauenberger, C., Makhaeva, J., Spiel, K., Vishkaie, R., & Jones, L. (2018). Demo Hour: Collidoscope. interactions, 25(1), 8-11. DOI:10.1145/3162013.

Wang, W., Bryan-Kinns, N., Sheridan, J. G., Shen, Y., Ji, T., Marengo, L., Milo, A., Ning, T., Wu, Y., Xu, X., & Zhou, Y. (2017). Things and 物 in In-situ Making and Evaluating: A Case Study. In ACM SIGCHI 2017 Workshop - The Things of Design Research: Diversity in Objects and Outcomes (May 2017, Denver USA).

Men, L., Bryan-Kinns, N., Hassard, A., & Ma, Z. (2017). The Impact of Transitions on User Experience in Virtual Reality. In Proceedings of IEEE Virtual Reality 2017.

Bryan-Kinns, N. (2017). Interaction Design with Audio: Speculating on Sound in Future Design Education. Presented at The 4th Central China International Design Science Seminar 2017, 19-22 October 2017, Jingdezhen, China. {PDF}

Antonella, M., & Bryan-Kinns, N. (2016). Moody: Haptic Sensations to Enhance Mood in Film Music. In Proceedings of DIS '16: Companion.

Martin F., Metatla O., Stockman T., & Bryan-Kinns N. (2016). Accessible Spectrum Analyser. Proceedings of ICAD’2016. {PDF}

Hayes, K., Barthet, M., Wu, Y., Zhang, L., & Bryan-Kinns, N. (2016). A Participatory Live Music Performance with the Open Symphony System. In Proceedings of ACM Conference on Human Factors in Computing Systems (CHI 2016): Interactivity. {PDF}

Bengler, B., Martin, F., Bryan-Kinns, N., & Sheridan, J. (2016). Collidoscope: Let’s Ride the Waves of Sound. In Art.CHI Workshop, CHI 2016. {PDF}

Wang, W., Bryan-Kinns, N., & Yang, Q. (2015). The Design Space and the Shifting Trigger in Wearable Product Development. In Proceedings of International Design Congress 2015, Korea.

Bengler, B., & Bryan-Kinns, N. (2015). “I could play here for hours..” (thinks the visitor and leaves): Why People Disengage from Public Interactives. In Proceedings of ACM Creativity and Cognition 2015.

MacDonald, S. & Bryan-Kinns, N. (2015). Nature Bot: Experiencing Nature in the Built Environment. In Proceedings of ACM Creativity and Cognition 2015.

Morgan, E., Gunes, H., & Bryan-Kinns, N. (2015). The LuminUs: Providing Musicians with Visual Feedback on the Gaze and Body Motion of their Co-Performers. In Proceedings of INTERACT 2015.

Bengler, B., & Bryan-Kinns, N. (2014). Polymetros. interactions 21(3), 12-13. DOI:10.1145/2590641.

Sangtae, K., Kim, J., Lee, S., Petkov, I., Ronchi, G., Benghi, C., Bengler, B., & Bryan-Kinns, N. (2014). Demo hour. interactions 21(2), 10-13. DOI:10.1145/2579050

Heitlinger, S., Bryan-Kinns, N., & Jefferies, J. (2014). The Talking Plants: an Interactive System for Grassroots Urban Food-Growing Communities. In Proceedings of CHI’14 Extended Abstracts on Human Factors in Computing Systems.

Williams K., Meckin, D., Stockman, T., & Bryan-Kinns, N. (2012) Embedded Research in the Design of Interactive Technologies for Children with Special Educational Needs: An Account of Research in Progress. In Proceedings of HCI 2012 The 26th BCS Conference on Human Computer Interaction Birmingham, UK. {PDF}

Meckin, D., Mainstone, D., Shed, R., & Bryan-Kinns, N. (2012) The Whimsichord: a Wearable Interactive Sonic Installation. In proceedings of Designing Interactive Systems Newcastle UK. {PDF}

Heitlinger, S., Bryan-Kinns, N., Stockman, T., O'Flanagan, O., and Couzyn, T. (2012). The Talking Quilt: Augmenting Domestic Objects for Communal Meaning-Making. In Proceedings of EVA London 2012. London, UK. {PDF}

Heitlinger, S., Bryan-Kinns, N., Stockman, T., O'Flanagan, O., and Couzyn, T. (2012). The Talking Quilt: Augmenting Domestic Objects for Communal Meaning-Making. In Proceedings of DIS 2012. Newcastle, UK. {PDF}

Metatla, O., Bryan-Kinns, N., Stockman, T., Martin, F. (2012). A Cross-Modal Collaborative Tool for Workplace Inclusion. In Proceedings of the ACM conference on Designing Interactive Systems (DIS2012), Newcastle, UK. {PDF}

Metatla, O., Bryan-Kinns, N., Stockman, T., Martin, F. (2011). Designing for Collaborative Cross-modal Interaction. In Proceedings of Digital Engagement 2011 the 2nd RCUK Digital Economy All Hands Meeting, Newcastle, UK. {PDF}

Sheridan, J.G., Marshall, J., Bryan-Kinns, N., Lane, G., & Reeves, S. (2011). Graffito: Crowd-based performative interaction at festivals. In Proceedings of Conference on Human Factors in Computing Systems, 1129-1134.

England, D., Bryan-Kinns, N., Edmonds, E., Wright, P., Sheridan, J.G., Twidale, M., Pobiner, S., & Diana, C. (2011). Digital arts and interaction. In Proceedings of Conference on Human Factors in Computing Systems, 609-612.

Bryan-Kinns, N., Fencott, R., Metatla, O., Nabavian, S., Sheridan, J.G. (2010). Interactional Sound: Listening to CSCW, Sonification, and Sound Art. In Proceedings of NIME: New Interfaces for Musical Expression++, Sydney, Australia, 2010. {PDF}

Bryan-Kinns, N., Stockman, T., Metatla, O. (2010). Collaborative Cross-Modal Interfaces. To appear in the Proceedings of Digital Futures 2010 Research Councils UK Digital Economy All Hands Meeting, Nottingham, UK. {PDF}

Bryan-Kinns, N., Airantzis, D., Angus, A., Fencott, R., Lane, G., Lesage, F., Marshall, J., Martin, K., Roussos, G., Taylor, J., Warren, L., and Woods, O. (2009). Sensory Threads - Collective Sensory Augmentation. Key Issues in Sensory Augmentation Workshop, 26-27 March, University of Sussex. {PDF}

Martin, K., Marshal, J., Fencott, R., Airantzis, D., Taylor, J., Lesage, F., Lane, G., Bryan-Kinns, N., Warren, L., and Roussos, G. (2009). Sensory Threads, Ubiquitous Computing at a Crossroads: Art, Science, Politics and Design, January 6-7, Imperial College, London, UK. (presentation)

Fencott, R., and Bryan-Kinns, N. (2009). Sensory Threads: Sonifying imperceptible phenomena in the Wild. In Proceedings of 6th Sound and Music Computing Conference, Porto, Portugal, 2009. {PDF}

Warren, L., Fuller, T., Lesage, F., Lane, G., Bryan-Kinns N., and Roussos, G. (2009). Ephemeral emergents and anticipation in online connected creativity, WebSci09: Society On-Line, March 18-20, Athens, Greece.

Sheridan, J. G., Bryan-Kinns, N., & Lloyd, T. (2008). (re)Actor3: the Third International Conference on Digital Live Art, Interfaces, Vol. 77, pp. 18-20. {PDF}

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2008). Comparing Interaction Strategies for Constructing Relational Diagrams in an Audio-Only Interface. In proceedings of HCI2008, Liverpool, UK.

Thiebaut, J.-B., Abdallah, S., Robertson, A., Bryan-Kinns, N., and M. D. Plumbley. (2008) Real time gesture learning and recognition: Towards automatic categorization. In Proceedings of the 8th International Conference on New Interfaces for Musical Expression (NIME '08), 215-217, Genova, Italy, 5-7 June 2008. {PDF}

Sheridan, J., Bayliss, A., & Bryan-Kinns, N. (2006). iPoi: acceleration as a medium for digital live art. In Proceedings of UbiComp 2006, Los Angeles, California, USA. {PDF}

Bryan-Kinns, N., Healey, P. G. T., Leach, J., & Brooker, A. (2006). Mutual Engagement in Collaboration. Presented at About-Face Workshop, CHI 2006, Montreal, Canada. {PDF}

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2006). A Model for Structuring UML Class Diagrams to Support Non-Visual Interpretation and Navigation. Proceedings of HCI 2006, Volume 2, London UK.

Metatla, O., Bryan-Kinns, N., & Stockman, T. (2006). Diagrams As Sonified Trees: The Design and Implementation of Auditory UML. Proceedings of the 1st Workshop on Haptic and Audio Interaction Design, Vol. 2, 31st August - 1st September 2006, University of Glasgow.

Bryan-Kinns, N., Healey, P. G. T., & Lee, J. (2005). Persistence in web based collaborations. In Proc. of International World Wide Web Conference 2005, Chiba, Japan.

Bryan-Kinns, N. (2004). Mobile group music improvisation. In Proceedings of Engagability and Design 2004, Birmingham, UK. {PDF}

Bryan-Kinns, N., & Healey, P. G. T. (2004). Daisyphone: Support for Remote Music Collaboration. In Proceedings of NIME 2004, Hamamatsu, Japan, pp. 27-30. {PDF}

Broadbent, P., Bryan-Kinns, N., Chong, M., Cooper, A., Hurst, M., Lewis, N., Light, A., Macdonald, N., Reed, D., Roibas, A. C., Rollestone, G., Sala, R., Skrebowski, L., Weitzman, L., Wood, L., & Zolli, A. (2003). The Evolution of Mass Communication in the Interactive World. In Proceedings of HCI 2003, Vol. 2.

Brooker, A., & Bryan-Kinns, N. (2003). Computer based support for learning facial expressions. In Proceedings of HCI 2003, Vol. 2. {PDF}

Blandford, A., Thimbleby, H., & Bryan-Kinns, N. (2003). Understanding Interaction Traps. In Proceedings of HCI 2003, Vol. 2.

Bryan-Kinns, N., & Broadbent, P. (2003). Anthropomorphizing Mass Communication. In Supplementary Proceedings of CHI 2003 (Development Consortium).

Bryan-Kinns, N., Healey, P., Thirlwell, M., & Leach, J. (2003a). Designing for Group Creativity. In Supplementary Proceedings of HCI International 2003. {PDF}

Bryan-Kinns, N., Healey, P., & Thirlwell, M., (2003b). Gudar – A Novel Group Music Instrument. In Supplementary Proceedings of INTERACT 2003. {PDF}

Bryan-Kinns, N., Healey, P., & Thirlwell, M., (2003c). Graphical Representation for Musical Improvisation. In Proceedings of 2nd International Workshop on Interactive Graphical Communication 2003. {PDF}

Bryan-Kinns, N., Blandford, A., & Thimbleby, H. (2000). Interaction Modelling for Digital Libraries. One-day workshop on Evaluation of Information Management Systems, QMW.

Bryan-Kinns, N. (1999). Family Resemblance for Hypermedia Authoring. Technical report #760, Queen Mary & Westfield College, University of London.

Exhibitions

Invited exhibition of work, Designing Tomorrow Exhibition, Ateneo de Manila University, Manila, Philippines. 20 Nov 2017

Invited exhibition of work Hengling Boxes, Yuelu Academy Museum, Changsha, China. 7 - 21 July 2017.

Invited exhibition of work Hengling Boxes, Inter/sections, London, UK. 9 - 16 Sep 2016.

Invited exhibition of OpenCollidoscope, Ars Electronica, Linz, Austria. 8 - 12 Sep 2016.

Invited exhibition of work Hengling Boxes, Sino-Italy design center, Huaihua, China. 18 - 25 Aug 2016.

Exhibition of OpenCollidoscope, Sonar+D, Barcelona, Spain. 16 - 19 June 2016.

Invited exhibition of work, Interaction Design Exhibition, Tongji Design Week, Shanghai, China. 9 - 17 Oct 2014.

Invited exhibition of work, "Design Can Change!" Exhibition, part of China International Cultural Industries Fair, Shenzhen, China. 07 June 2013.

Graffito Interactive Experience, HCI 2011, Newcastle, UK. Winner of “Best Interactive Experience”. 07 July 2011.

Graffito Installation, CHI 2011, Vancouver, Canada. 7 - 12 May 2011.

Graffito Invited Installation, Digital Shoreditch, London, UK. 4 - 7 May 2011.

Graffito Installation (selection by competition), TentLondon, London Design Festival, London, UK. 23 - 26 September 2010.

Graffito installation (curated), Vintage at Goodwood, curated by Gerardine Hemingway MBE and Wayne Hemingway MBE, Goodwood Estate, UK. 13 - 15 August 2010.

Daisyphone showcase, EPSRC Pioneers09, Olympia, London, UK. 4 March 2009.

Daisyphone exhibit, Surface Tension: Interactives and Workshops, Dana Centre, Science Museum, London, UK. 23 June 2009

Sensory Threads, Surface Tension: Interactives and Workshops, Dana Centre, Science Museum, London, UK. The world’s first collective sensing of the imperceptible through real-time interactive mobile soundcapes. 23 June 2009.

iPOI, Wickerman Festival, Dundrennan, Scotland. 20 - 22 July 2007.

iPOI, Beat Herder, Ribble Valley, Lancashire UK. 29 June - 1 July 2007.

Hoverflies, Emergent Objects, Design for the 21st Century, Leeds University, Leeds, UK. This was the world’s first public exhibition of a 3D soundscape controlled in real-time by acceleration. 07 June 2007.

iPOI, Sunrise Celebration, Somerset, UK. 31 May - 4 June 2007.

iPOI, FutureSonic Festival, Manchester UK. 12 May 2007. iPOI, Future of Sound, Queen Mary, University of London, UK. 12 April 2007.

iPOI, f.city Festival, Lancaster, UK. 29 September 2006.

iPOI, HCI 2006, Queen Mary, University of London, UK. 12 September 2006.

Threshold Chimes, HCI 2006, Queen Mary, University of London, UK. 12 September 2006.

Threshold Chimes, Queen Mary, University of London, UK. 15 June 2006.

Daisyphone, in Susumu Hirasawa's performances, Osaka and Tokyo, Japan. 1 - 4 May 2006.

Invited Talks, Panels and Comment

Most recent news is available on my Twitter feed

14 May 2018, Invited talk “Do you hear that?”, Pint of Science Festival, London.

14 March 2018, Invited talk on Sonic Interaction Design, Sichuan University, China.

28 Oct 2017, Invited talk on Interaction Design with Audio, Design for Transition International Conference, Jiangnan Uni, China.

24-26 Oct 2017, Selected participant in AHRC+Newton workshop on Creative Economy in China with UNESCO Creative City (Shanghai) Promotion Office, Shanghai Theatre Academy, Jiangsu Provincial Department of Culture, Shanghai, China.

21 Oct 2017, Invited talk on Interaction Design with Audio, CCIDSS17, Jingdezhen Ceramic Institute, China.

8 Sep 2017, Panel member for STARTS, Ars Electronica, Linz, Austria.

28 May 2016, Invited talk on Interaction Design with Audio, Malardalen University, Sweden.

7 July 2015, Keynote talk at Academic Practice and Technology Conference, University of Greenwich, UK.

15 Dec 2014, Invited talk on Interaction Design with Audio, CIRMMT, McGill University, Canada.

14 Oct 2014, Invited workshop on Interaction Design with Audio, Tongji Design Week, Shanghai, China.

11 Oct 2014, Invited speech on Mutually Engaging Interaction Design and Audio, Interaction & eXperience Design Forum, Tongji Design Week, Shanghai, China.

9 Oct 2014, Jury member for 4th LotusPrize International Design Competition, China.

8 Oct 2014, Guest lecture on Interaction Design and Audio, Hunan University School of Design, China.

8 May 2013, Guest lecture on Interactional Sound and Music, Hunan University School of Design, China.

18 May 2013, Invited speech, Launch of Hunan University's New MediaLab, Shenzhen, China.

28 Feb 2013, Invited Talk on Interactional Sound and Music, Media Lab Helsinki.

6 Nov 2012, Invited talk "Artist | Scientist | Entrepreneur", Creativity and Cognition Studios, University of Technology Sydney.

19 Oct 2012, Invited keynote speaker, Workshop on Public Art, Evaluation & HCI, Australia.

18 Sep 2012, Invited talk on Mutual Engagement, AC4MobHCI2012, Istanbul.

24 Mar 2012, Presented qMedia and Interactional Sound and Music, International Technology Transfer Beijing Conference 2012.

6 July 2011, Panellist on Art and HCI, HCI 2011, Newcastle, UK.

23, 25 May 2011, Comment on iPalm interaction, New Scientist and Daily Mail.

10 May 2011, Digital Arts and Interaction SIG (invited participant), CHI 2011, Vancouver, Canada.

9 March 2010, Invited presentation on Interactional Sound and Music, AHRC Collaborative Research Training event, Culture Lab, Newcastle University, Newcastle, UK.

2 March 2010, Panellist and invited presentation on the nature of Media Arts and Technology PhDs, New Forms of Doctorate (ESRC research seminar series), London Knowledge Lab, London, UK.

26 February 2010, Invited presentation on Interactional Sound and Music, Mixed Reality Lab, University of Nottingham, Nottingham, UK.

5 September 2007, Panelist on A Conference Panel - but not as we know it, HCI 2007, Lancaster, UK.

24-26 August 2007, iPoi performance. SolFest, Cumbria, UK.

20 August 2007, Invited talk on mutual engagement, Microsoft, Cambridge UK.

26 November 2006, Invited presentation on state of the art in UK&European HCI research, Engage, Sydney, Australia.

13 November 2006, Invited talk on exploring mutually engaging interaction in improvisation, University of York, UK.

8 May 2006, Invited talk on mutual engagement, Human Communication Technologies Lab, UBC, Vancouver, Canada.

25 November 2004, Bryan-Kinns, N. (2004). Report: The "No One Opens Attachments Anymore" Paradigm. UsabilityNews.

29 July 2004, Bryan-Kinns, N. (2004). Feature: Striking a Collaborative Chord. UsabilityNews.

26 May 2004, Bryan-Kinns, N. (2004). Review: Legislation, Death and Music in the Blogs. UsabilityNews.

23 February 2004, Bryan-Kinns, N. (2004). Review: Rounding up the Commentators. UsabilityNews.

2004, Bryan-Kinns, N. (2004). Striking a Collaborative Chord. Interfaces, No. 61, pp. 19-20.

25 October 2003, Cellphone software allows a musical jam. New Scientist.

13 February 2003, Bryan-Kinns, N. (2003). New Legal Requirements for Websites have Usability Implications. UsabilityNews.

27 January 2003, Bryan-Kinns, N. & Hamilton, F. (2003). Travels in Jutland with an Academic - Review of NordiCHI 2002. UsabilityNews.

2003, Bryan-Kinns, N., and Hamilton, F. (2003). Conference Report: NordiCHI 2002 - Notes from a small city. Interfaces, No. 54, pp. 8-10.

24 October 2003, Will jamming be the new texting? New Scientist.

23 May 2001, Imaginary phone lets you answer calls on your palm. New Scientist.

Commissioned Pieces

These innovative commissions explore arts/ science collaborations and involve an artist collaborating with researchers from QM to explore and exploit their research in new ways. The pieces are then performed in public, toured, and reported widely (e.g. see New Scientist CultureLab, February 17, 2010). Academic articles are subsequently generated on the process and practice of arts/ science collaborations.

2011, Di Mainstone: Whimsichord. QMedia Artist in Residence, Queen Mary, University of London, UK.

2009, Di Mainstone: Serendiptichord, C4DM commission for ACM Creativity and Cognition 2009, Berkeley, USA.

2008, Sarah Nicholls: Tilly Automatic, C4DM commission for (re)Actor3, 2008, Liverpool, UK.